Dark Horse Presents 54 (September 1991)

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The big surprise this issue is Byrne’s Next Men. It’s actually pretty solid (though I think it features all four Byrne faces). The art’s great–nice flow of action–and the story’s intriguing. I think it’s the strongest narrative structure I’ve ever read from Byrne (though it might just be because it’s a prologue).

Geary’s got a few Transgression Hotline strips. They’re solid, amusing and unremarkable. Geary’s a professional though and they’re well-produced.

The Homicide closer from Morrow and Arcudi is fabulous. Morrow transforms the strip from Arcudi’s regular bore to something out of a film noir. During this installment, Arcudi even manages to insert something subtle, which I didn’t realize he was capable of doing.

Finally, Sin City. Miller uses almost this entire installment to promote violence, torture and cruelty. Wait, can you torture without cruelty? Anyway, he throws in some terrible dialogue and narration as a bonus.

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