Daily Archives: 17 February 2011

Age of Bronze 2 (January 1999)

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Well, Shanower took a lot less time to get to the revelation than I thought… turns out Paris is a prince of Troy. That scene, the one where Paris gives up his old life for his new (he really doesn’t have a say as it turns out), is rather awkward. This issue features Kassandra going nuts for two pages and screaming at everyone and that scene plays a lot cleaner.

Shanower’s got no subtly yet. The series, will very well executed, feels like an educational exercise. He’s so worried about getting all the information into the book, he isn’t finding any reality to the characters. Except Paris’s adoptive father. Everyone else feels artificial.

It’s also hard to tell what one’s supposed to think of Troy. The city doesn’t have a personality outside the royalty.

These are early complaints, but Shanower is moving at a perhaps too brisk pace.

We’ll see….

CREDITS

Writer, artist, inker and editor, Eric Shanower; publisher, Image Comics.

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Age of Bronze 1 (November 1998)

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Shanower sets up Age of Bronze somewhat traditionally in the heroic sense. The protagonist, Paris, is secretly—or so it’s implied—of higher birth than his farmer parents. He’s bored of life as a cattle farmer and when the king’s men come to take away a prized bull, he sees the situation as wrong. So he sets out to do something about it.

Besides great art—the second page has this amazing shot of the cattle and Paris walking—Shanower brings a great deal of humor to it. Paris is the impetuous youth, running into a situation against all warning. Shanower doesn’t tell the story entirely from his perspective, so the reader is able to get a better view of the character.

The ending is a little abrupt; Shanower’s going from something cinematographic, but it doesn’t come off. It’s fine, just abrupt.

The sex scene, however, is bad. It’s creepy.

CREDITS

Writer, artist, inker and editor, Eric Shanower; publisher, Image Comics.

The Invincible Iron Man 500.1 (April 2011)

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I think I like Larocca’s art this issue than any one in the past. It’s literally a talking head (no one has dialogue except Tony), but Larocca does flashbacks and in these flashbacks, he relies a little less on the flash and just draws.

The issue is a retelling up to now of Tony’s life, except it only makes sense if one’s been reading Invincible Iron Man. Fraction keeps it vague because it’s Tony at an AA meeting. Being Tony is probably one of the most famous people in the world, it’s hard to think he could be anonymous.

That problem shows… Fraction never treats Tony as special, just as a (smart) guy talking.

The writing is all very solid, very professional….

Until the end, when Fraction makes a terrible choice.

He finally has Tony talk with Pepper about their relationship; she’s not even on panel. The scene fails miserably.

CREDITS

What it was like, what happened and what it’s like now; writer, Matt Fraction; artist, Salvador Larocca; colorist, Frank D’Armata; letterer, Joe Caramagna; editors, Alejandro Arbona and Stephen Wacker; publisher, Marvel Comics.

Guns of the Dragon 4 (January 1999)

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Truman finishes Guns of the Dragon indistinctly. His Bat Lash is such a strong character, it mostly works. Unfortunately, Truman’s art is weak again—which answers whether I had just grown accustomed to it. I had not.

He also doesn’t use dialect here, so clearly he was making choices with the series.

The issue is, again, all action (the third in a row). There are at least four fight scenes, most of them incorporating parts of the series (dinosaurs, Japanese cat men, Enemy Ace’s biplane). I suppose they’re successful.

But the problem is how little Truman does with the series. He has his characters (even foreshadows the advent of Slam Bradley) but they don’t even get the ending. Instead, Guns feels like a prologue to some bigger event… but it wasn’t. It was just a limited with era-appropriate characters.

It’s decent enough (besides the art) but a missed opportunity.

CREDITS

Writer and artist, Timothy Truman; colorists, John Kalisz and Jamison; letterer, Ken Lopez; editor, Peter J. Tomasi; publisher, DC Comics.