So all of (well, most of) John Paul Leon’s flashback art this issue is when Black Widow was a superhero in the seventies and eighties. It’s all this fantastic, bright Marvel superhero art, only by Leon. It looks amazing. I wonder if he could sustain it or if just doing a few panels is the limit.
The rest of the issue is awful. I love how Raney can’t keep Natasha’s face centered on her head and his Bucky needs to be seen to be believed. Bucky looks like a teenager with some kind of glandular disorder.
Cornell’s writing is pretty hideous and his big reveal at the end is dumb. But I guess Jim McCann liked the twist a lot because he used it again, less than a year later, in Widowmaker.
Maybe if Cornell’s dialogue were good… but it’s not. Even the flashback dialogue reeks.
Just like the comic.
Writer, Paul Cornell; pencillers, Tom Raney and John Paul Leon; inkers, Scott Hanna and Leon; colorists, Matt Milla and Leon; letterer, Cory Petit; editors, Rachel Pinnelas and Bill Rosemann; publisher, Marvel Comics.