Category Archives: King Henry

Rip Kirby, The Chip Faraday Murder (March-April 1946)

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It’s a little surprising how every panel of Rip Kirby is perfect. Okay, not every panel. There are two panels—each the last panel of a strip, where Alex Raymond apparently photo-references a close up for this one character and it’s too static. I’m guessing it’s referenced because of that static, something no one else has in the forty-three other strips making up this storyline.

The mystery itself is pretty contrived, as a newspaper sequential has to be. But Rip Kirby reads really well, like it’s meant to be read in a sitting, not day to day in the newspaper. Writer Ward Greene does do some recaps, but more often he just assumes the reader’s caught up and moves on.

My only complaint is Rip’s sidekick, Honey Dorian. She’s supposed to be smart, but has a dimwit’s dialogue it’s like Greene and Raymond can’t decent.

Otherwise, it’s phenomenal.

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Dark Horse Presents 78 (October 1993)

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Yolen and Vess have an absolutely fantastic fairy tale story here. It’s not technically a fairy tale (it’s layered, a nursemaid tells the story to a child, who it directly concerns) but it’s just wonderful. Vess’s art here is superior–he’s able to convey action, antiquity and fear. There’s one moment where it confuses, then it all becomes quite clear. Yolen comes up with a great narrative though. Her writing is the real boon.

Paleolove continues. Davis is on the second of a third part story and there’s no reason for a third part if this one is any indication. Not because it’s bad (it’s not good, but like most Davis, not exactly awful), but because the narrative is already stretched then as this entry closes.

Campbell reveals another character’s backstory in Hermes this installment. It’s so good. The details are indescribable due to imagination and complexity. It’s outstanding work.

CREDITS

King Henry; story by Jane Yolen; art and lettering by Charles Vess. Paleolove, Part Two; story, art and lettering by Gary Davis. Hermes versus the Eyeball Kid, Part Three; story by Eddie Campbell and Wes Kublick; art by Campbell, Peter Mullins and April Post; lettering by Campbell. Edited by Randy Stradley.