With Chuck Patton helping, the pencils are occasionally tolerable. Even Alcala inking can’t fix whatever Hoberg does wrong with Batman’s cowl, unfortunately.
There are a couple big scenes this issue–besides the resolution of the Calendar Man arc, which features Moench’s least annoying characterization of him. He’s not blathering to himself throughout. It’s nice.
There’s a big scene for Vicki Vale. She’s telling off her suitor. It’s not bad, though Moench’s either got her babbling about eighties diet fads or she’s joined a cult. She’s been a pointless character for dozens of issues now… maybe he’ll turn her around.
The other big scene is Bruce and Jason. Jason is arguing for his job as Robin; Moench is clearly trying to rationalize the character. It doesn’t work–the argument, which Jason wins, is ludicrous stuff.
Hopefully Moench has all this foster parenting, adoption, job dynamics nonsense out of his system now.
Day of Doom; writer, Doug Moench; pencillers, Rick Hoberg and Chuck Patton; inker, Alfredo Alcala; colorist, Adrienne Roy; letterer, John Costanza; editor, Len Wein; publisher, DC Comics.