All writers have limits… and it’s too bad Gates’s limit is writing Cat Grant as a likable human being. He just can’t do it. He tries and tries here, but he ends up making Superwoman more likable than Cat. It’s a strange disconnect. There’s just something so hateful about her, he’s gone beyond a point where he can even bring a glimmer of humanity to her.
That statement made, it’s a wonderful issue. It’s a Christmas issue, ending up in Smallville (it’s hard to tell Kara’s supposed to be the one in the glasses—I thought they were still drawing Ma Kent with blonde hair or something). Gates and Igle get in the action, they get in some drama….
They wrap things up beautifully (it’s their last issue). It’s really too bad they didn’t get a chance to do the comic, instead getting stuck with crossover tripe.
Still, lovely work.
Day of the Dollmaker, Part Two: End of the Line; writer, Sterling Gates; penciller, Jamal Igle; inkers, Jon Sibal and Robin Riggs; colorist, Blond; letterer, Travis Lanham; editors, Wil Moss and Matt Idelson; publisher, DC Comics.