Tag Archives: Roger Langridge

I guess Langridge gives Snarked a very grown-up ending. It fits with the fable tone he’s established, but it also got me all teary-eyed. It’s a philosophically rewarding finish, which isn’t the same thing as being an immediately pleasurable one.

Langridge covers a lot of territory. There’s a lot more character development than one would expect for a final issue–he has something like three big scenes between the major characters. He also has time for the humor. I never mentioned the Chipmunk, who’s on the ship’s crew and is something of a ninja. She doesn’t do anything this issue, but she’s a great sight gag.

As much as I hoped it would go a different way, Snarked is an outstanding comic. Langridge established three and a half wonderful characters and gave them a lovely outing. I’m going to miss Scarlett, the Walrus and Snarked quite a bit.

CREDITS

Fit the Twelfth: For the Snark was a Boojum, You See; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Eric Harburn and Bryce Carlson; publisher, kaboom! Studios.

Langridge goes all out this issue in terms of obviousness. It’s okay though, he’s earned the right to be forward. He deals with the Walrus’s character and the Royal Family’s family issues bluntly. And he makes great scenes out of them.

In terms of the former, it’s not as blunt. There’s a great twist to reward the reader (and the Walrus). But the family stuff is blunt because it needs to be. Scarlett has to carry too much and the weight reaches its apex towards the end of the issue. The beauty of Snarked (and Langridge) is the issue isn’t over yet. There’s the funny, touching soft cliffhanger after the big blowout. It’s fantastic.

The issue reads reasonably fast; there are a lot of laughs to it and there’s a lot of action too.

Langridge does outstanding work, but I’m guessing the next (and final) issue will be even better.

CREDITS

Fit the Eleventh: Smiles and Soap; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Eric Harburn and Bryce Carlson; publisher, kaboom! Studios.

Langridge comes up with some rather unexpected turns this issue. He opens it with a couple asides, first a reference to the occupy movement with the evil royalty back home, then the Gryphon running the pirate ship, before catching up with the main cast on Snark Island.

This issue isn’t as full as the last one, but Langridge still has some major events before the pirates arrive. I’m not spoiling, it’s on the cover.

There’s a lot of nice character work with the Walrus. Langridge’s intentions with him are so clear, the captain can even see them and comments on them. Snarked is warm and fuzzy a few times this issue. Always with some bite, but definitely warm and fuzzy.

Even though there’s a lot going on, Scarlett’s still the primary lead. Langridge rightly gives her time to discuss the family–and political–issues at hand.

It’s another great issue.

CREDITS

Fit the Tenth: Beware the Cyberwock!; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Eric Harburn and Bryce Carlson; publisher, kaboom! Studios.

This issue is gloriously full. The cast arrives on Snark Island and Langridge sets them out exploring. But the captain has been to the island before, which leads to him remembering geographic features. Then there are the bickering lion and unicorn guards, then there’s the missing king….

It goes on and on, so much so the cliffhanger comes as a surprise. Langridge has already put his characters through two major challenges; one would expect him to let up a little.

There’s a lot of great character work in the issue too. McDunk magically becomes smart on the island, leading to some good dialogue exchanges, while the Walrus reveals more of his tenderness. And Scarlett has a big scene too.

Technically speaking, this issue is Langridge at his best. His storytelling skills–the way he paces the story, how he layers in the subtleties–are amazing. Snarked is a great comic.

CREDITS

Fit the Ninth: The Lion and The Unicorn; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Eric Harburn and Bryce Carlson; publisher, kaboom! Studios.

Langridge brings the arc–it’s a journey arc, which is somewhat unexpected since there are so few navigation references in the issues–to a close.

Once again, Langridge focuses on the action of the issue. The evil Gryphon finds the heroes and sets loose a sea monster on the ship. And, once again, Langridge uses it as an opportunity to develop the Walrus as a character. There are little character bits throughout the issue, but the end clarifies–it’s all about the Walrus.

For that ending, Langridge unexpectedly promotes one of the supporting cast to more of a main role. Snarked has been relatively static in its primary cast; Langridge inserts the new character deftly. He had already established more of a role for him at the issue’s open, before moving back to the heroes.

As the story develops, Snarked just gets better. Langridge takes full advantage of its opportunities.

CREDITS

Fit the Eighth: The Frumious Bandersnatch; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Bryce Carlson and Eric Harburn; publisher, kaboom! Studios.

I didn’t count but I don’t think the North Pole-South Pole romance in this issue took Langridge more than seven or eight panels. Spread throughout the issue, of course. But it’s a devastating little romance. It’s sweet, heartfelt and melancholic all at once. It’s quite lovely.

This issue our heroes find themselves trapped on an island with the last surviving dodos. Everyone manages to get him or herself in a bit of trouble–except the usually troublesome little prince, actually–and Langridge keeps them moving.

It all takes place–the island stuff, so not counting the first act–in a couple days. Langridge never focuses on the time, but Snarked never feels rushed or not rushed enough. It comes from Langridge concentrating on making each moment, even if it is building to another (or none at all), as pleasing as possible.

It’s a great way to approach comic storytelling.

CREDITS

Fit the Seventh: Beautiful Soup; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Bryce Carlson and Eric Harburn; publisher, kaboom! Studios.

Langridge presents the heroes with a single challenge–a single one they know about, Langridge opens the issue with the Gryphon’s plotting–and, over the course of the issue, creates a second one for them.

He creates it subtly, but on the page, during a big action sequence. This issue introduces a pirate ship, crewed by familiar characters from Alice in Wonderland. Langridge gives them a lot of funny dialogue, making up for his regular cast being too busy in the action scene to have a proper conversation.

It’s a rather good issue; the two crews give Langridge a lot of variety to draw and a lot of personalities to write. He excels at both. He even introduces new characters later on–crews are big, after all–and they come into the issue seamlessly.

It’s one of the better all-action issues I’ve read. Langridge knows how to do it.

CREDITS

Fit the Sixth: Yo Ho Ho and a Nice Cup of Tea; writer and artist, Roger Langridge; colorist, Lisa Moore; editors, Bryce Carlson and Eric Harburn; publisher, kaboom! Studios.