There’s technically twenty-two pages of story here, but so much of it is wasted–five pages alone, at the front, go to showing clips of television shows of the future (Grant adds, presumably, the material about TV being safe for all kids, since when Miller wrote his Robocop 2 script it was 1988 or whatever)–it doesn’t even feel like half an issue.
The big problem is the lack of characters–Robocop isn’t a character here and maybe he just doesn’t work with comic books. He doesn’t have an alter ego to humanize him, so maybe you need to actor with the voice, need the acting.
Ryp’s art has its moments and his Robocop certainly does look worn down and “realistic,” but it’s a little too much. The comic relies on his detail over writing or plotting. He also can’t figure out how to make Robo-Vision look good.
Writer, Steven Grant; artist, Juan Jose Ryp; colorist, Nimbus Studios; editor, William A. Christensen; publisher, Avatar Press.