I guess I shouldn’t be surprised Furman lacks Alan Grant’s deft touch, since the new editor basically said he would. Furman’s Robocop is, as a protagonist, pretty lame. The series is now a sequel to Robocop 2, but Furman’s Robocop is still all bent out of shape about having been turned into Robocop, something the second movie kind of dealt with. I mean, it ends with him grinning.
The book’s also got a new inker–Harry Candelario–and he looks lousy over Sullivan’s pencils. Robocop isn’t goofy looking, but regular people’s faces lack definition. It’s incredibly boring artwork.
Furman’s also setting up a big conspiracy–flushing the bigger story Grant had been working on–but it’s a licensed property so who knows how much interference they got.
Lots of movie callbacks here, to remind the reader it’s Robocop, even if the character only resembles him visually.
It’s a big snooze.
Purgatory!; writer, Simon Furman; penciller, Lee Sullivan; inker, Harry Candelario; colorist, Gregory Wright; letterer, Ken Lopez; editor, Bobbie Chase; publisher, Marvel Comics.