I’m not sure what happens this installment of Hermes. It almost seems like a bridging installment. Hermes, who hasn’t really had a lot to do since the first installment, is preparing his attack and the supervillains are splintering. It’s a fine installment, but it’s the first one where Campbell didn’t “wow” me.
The opening story, Buoy 77, from Boyd and Lopez, is good. Lopez’s art is a little unfinished, but the concept–a bunch of rural Brazilians trying to find a missing oil company buoy for the reward–is excellent. Boyd handles the Brazilians and their culture better than the oil company (I had assumed, from the oil company verbiage, it was a future story).
Moeller finishes off Shadow Empires. It makes very little sense–a day’s walk outside a war torn future city and you get rural, picturesque countryside? Moeller’s trying to be profound, but still comes off amateurish.
Buoy 77, Part One; story by Robert Boyd; art by Francisco Solano López; lettering by Vickie Williams. Shadow Empires, The Passage, Part Three; story and art by Chris Moeller; lettering by Vickie Williams. Hermes versus the Eyeball Kid, Part Six; story by Eddie Campbell and Wes Kublick; art by Campbell, Peter Mullins and April Post; lettering by Campbell. Edited by Randy Stradley.