Wow… it ends even worse than I could have possibly imagined. I like how in Morrison’s reality, a gang of roaming thugs (who bring a vicious dog with them to attack kids) are scared off by a woman in a crappy old car. I guess he needed that one to work for the ending to be as lame as possible.
Beautiful, beautiful art. Murphy maybe outdoes himself with this issue. It’s just fabulous.
Morrison has three or four endings to the comic, which is oversize, but he could have gotten away with one of them. The first one requires not only Joe, the kid, to be a complete inobservance moron but his mom too. And one has to believe his dead father is a trickster jerk who likes stringing people along.
I’m glad I read it for two reasons.
Second, I like having examples of awful Morrison writing.
Tomb of the Iron Knight; writer, Grant Morrison; artist, Sean Murphy; colorist, Dave Stewart; letterer, Todd Klein; editors, Pornsak Pichetshote and Karen Berger; publisher, Vertigo.