Daredevil 170 (May 1981)


Miller brings back the Kingpin and, wow, is it bad.

The Kingpin stuff isn’t terrible–Wilson’s off in Japan, “reformed” thanks to his wife–but the Daredevil stuff is the worst Miller’s written so far.

Whether it’s Matt’s lame thought balloon explanations of how his powers work, which Miller doesn’t stick with when he should, or just the goofy dialogue, this issue has terrible writing.

Even worse, the art’s weak.

It looks like Miller really just sketched it out and let Janson fill in the blanks. Except Janson didn’t work really hard on the inks either. The result is an ugly, blocky issue with a shockingly lack of simple detail.

The “best” part in the story might be when Matt tries to reason with Bullseye. It’s an unfathomable scene.

Miller even tries a sitcom-style joke involving Matt’s blindness. Either Miller lacked confidence or his editor approved the script unread.


The Kingpin Must Die; writer and penciller, Frank Miller; inker, Klaus Janson; colorist, Glynis Wein; letterer, Joe Rosen; editor, Denny O’Neil; publisher, Marvel Comics.


Swamp Thing 68 (January 1988)


So in twenty-four pages, Veitch manages to track three narrators and four protagonists. Alec gets the least amount of page time, as he’s tied into one of the other narrators (well, sort of). Veitch mostly splits the issue between a fundamentalist terrorist, Abby and Liz and Chester. Alec’s busy consulting the Parliament, where Veitch brings in four other retired earth elementals.

Of Veitch’s (few) issues so far, this one is easily the best. It has the DC Universe flavor (a Superman appearance), the logic, but also an expanse of emotion. Veitch gives Abby and Liz’s trip to the post office more dramatic impact than the threat of the terrorist blowing up a building. Chester’s story has the most humor; it also shows how Veitch is trying to play with his storytelling.

The strangest thing is the art. Veitch and Alcala do far better on the humans than the plants.


Reflections in a Golden Eye; writer and penciller, Rick Veitch; inker, Alfredo Alcala; colorist, Tatjana Wood; letterer, John Costanza; editor, Karen Berger; publisher, DC Comics.

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