It’s a really fast read. Hogan covers a whole lot and he’s not doing anything but setting up the rest of the series. It should be an okay move, but he’s already had a zero issue for Suicide Blonde, he’s already had time to introduce things.
Worse, Hogan knows he’s rushing things. He puts in moments to slow down the reader, whether it’s some exposition about a side character, pop culture references to “Frasier” and “The X-Files” or the whole government flashback. The guys looking for Harry haven’t shown up yet in the present. Hogan’s just filling pages with flashbacks.
There is definitely some nice art from Parkhouse. He gets to go more around town than usual and his Americana stuff is quite good.
The comic remains pleasant and entertaining to read, it’s just too slight. Hogan isn’t developing any of the characters. The comic is an awkward procedural.
Writer, Peter Hogan; artist, colorist and letterer, Steve Parkhouse; editor, Philip R. Simon; publisher, Dark Horse Comics.