The art, from Joe Brozowski and Mel Candido, isn’t great or even good (occasional weird background details break the perspective), but it’s generally competent. And generally competent for this issue isn’t bad.
Priest continues to play fast and loose with the characters. Indy’s sentiments towards Marion are this odd annoyance thing. I think Priest is trying to show he likes her so he has to pester her, which suggests Priest hadn’t been reading the comic until this point. Or maybe the LucasFilms contact told them to tone down the romantic stuff.
This issue’s adventure wraps up Priest’s tedious first arc on the series, involving Marcus Brody, action hero, trying to save his career. Priest can’t write Indy as having a villain.
Wait, I can’t believe I ignored the weirdest part. Priest writes this stoic, virtuous Nazi secret agent out to assassinate Jones. It’s really weird stuff. Not good, definitely interesting.
Priest is also really bad with the setting. He writes too modern.
End Run; writers, David Michelinie and Christopher Priest; penciller, Joe Brozowski; inker, Mel Candido; colorist, Robbie Carosella; letterer, Diana Albers; editor, Ralph Macchio; publisher, Marvel Comics.