It's all connected! It's all connected! And why shouldn't Virginia Applejack fall for the kid from the first issue of Killers once he's grown up? It makes everything so neat and tidy, even if Lapham does skip over the actual romance because it'd be too hard to establish it. And even if Lapham does turn the guy's mom into a shrill knock-off of Virginia's evil mom.
There's still a lot of good stuff in the comic, maybe even some great stuff; the connections almost seem added later. Lapham really tries hard to make Killers, save Virginia, its own interconnected thing.
Because he still hasn't realized interconnected stories don't necessarily make something good.
It's a fine issue, but more of what I expected from Killers than Lapham has been doing. Until now, the nostalgia has been subtle. Here, it's forced. It's still above average until the desperate third act.
Sorry; writer, artist and letterer, David Lapham; editors, Renee Miller and Maria Lapham; publisher, Image Comics.