Kupperberg sticks around this issue to ink Rafael Kayanan and it’s an interesting result. The figures and composition are still Kayanan’s, but–with a couple exceptions–Kupperberg’s really bringing the personality to the faces. While Conway does do a little character development on Ronnie and Martin, the newly expressive faces are what sell the scenes.
Though, they’re very likable scenes–Ronnie falling asleep studying, bonding with his dad, bonding with Martin–it’s like Conway finally realized giving Ronnie endlessly negative scenes wasn’t helping endear the character.
Conway also establishes a new A plot, B plot, C plot structure; hopefully he’ll keep with it. The A plot has Québécois terrorists threatening New York City. The B plot is the return of Killer Frost, then the regular cast gets a couple C plots. The visual disconnect–the playful inks from Kupperberg–gives Firestorm a much-needed boost of energy. It seems to have reinvigorated Conway as well. For now.
“Burn, Manhattan, Burn!”; writer, Gerry Conway; penciller, Rafael Kayanan; inker, Alan Kupperberg; colorist, Nansi Hoolahan; letterer, Phil Felix; editors, Janice Race and Conway; publisher, DC Comics.