Soule pulls one over on the reader. It’s a beautiful job of it too, because he sets the reader up and then distracts him or her from the inevitable.
She-Hulk takes Captain America’s case–except it’s old Captain America, Steve Rogers in his nineties. They’re off to L.A. to the hearings and so on and there’s a lot of setup with the cast members and with She-Hulk. Soule writes old Steve Rogers as a special guest star, but an old man of one. He’s presented entirely from Jennifer’s perspective. It’s not just a great guest star, it’s an exceptional way of handling a guest star.
Especially for a Marvel comic.
The Pulido art is essential for the whole thing, but specifically for making Jennifer’s arrival in Los Angeles distracting enough to hide the foreshadowed reveal. Pulido’s composition for those scenes, told in summary and often silently, is outstanding.
It’s great stuff.
The Good Old Days, Part One; writer, Charles Soule; artist, Javier Pulido; colorist, Muntsa Vicente; letterer, Clayton Cowles; editor, Jeanine Schaefer; publisher, Marvel Comics.