Well, it’s definitely a predictable ending because Brisson sets it up for two possibilities. I had been hoping for a third result, but no luck. Instead, The Field concludes more visually than anything else. Brisson gives Roy something to do, but it’s not much. If it weren’t for Roy’s ability to stretch the material… it wouldn’t work out as well.
Nothing happens, of course, because Brisson goes with an all action finale. There’s no point to thinking too hard about the science–which I had sort of forgotten at the beginning exactly. Brisson deftly fills them in, then later on brings up the cultural ramifications of everyone living in Groundhog Day. And that idea is more potent than the series itself.
So, not the best finish, but well-executed from both Brisson and Roy.
It’s just too bad it doesn’t have more oomph. The protagonist is just too slightly rendered.
Writer and letterer, Ed Brisson; artist, Simon Roy; colorist, Simon Gough; publisher, Image Comics.