It’s the equivalent of an action issue for Kinski. Hardman resolves the previous issue’s cliffhanger, putting the protagonist and his friend back on the road. There’s some slight character drama–and a way too obvious plea for exposition from the friend–before Hardman gets to the rest stop.
Because they’re stuck in traffic; I forgot they were stuck in RV traffic. It’s a little much, though the image of the one car amid a bunch of RVs does seem like a gritty Far Side cartoon or something.
Hardman doesn’t have much in the way of character work or action this issue. All the character stuff is forced and when he finally does get to a silent scene, it’s the action scene. There’s no talking, but there’s no character work in the art, just running. Lots and lots of running.
Hardman’s timing for the panels is great… the issue’s just slight.
Writer and artist, Gabriel Hardman; publisher, Monkeybrain Comics.