Judge Dredd 15 (January 1985)

Judge Dredd #15

The issue has Wagner looking at various aspects of the future–block life, block wars, reasoning apes, what happens when a judge needs to retire–but none of them really stand out.

The first story, resolving the Judge Child storyline while Dredd deals with a block war, has art from Brian Bolland. It’s gorgeous, but too static, too constrained. Bolland doesn’t have any fun with the future, but he also doesn’t have any fun with his composition.

In contrast, Mike McMahon goes crazy in the other pages. There’s humor built into the panels and the composition is inventive. The McMahon stories–even Mills’s pointless ape one–come off a lot better; there’s something distinctive about them, whereas Bolland’s is purely functional.

Of course, Wagner’s handling of that first story is a lot more functional and less narratively playful than the rest.

It’s a mixed bag, but with some definite pluses.

B- 

CREDITS

Writers, John Wagner and Pat Mills; artists, Brian Bolland and Mike McMahon; colorist, John Burns; letterers, Tom Frame and Tony Jacob; editor, Nick Landau; publisher, Eagle Comics.

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Gotham by Midnight 1 (January 2015)

Gotham by Midnight #1

Thanks to Ben Templesmith’s art, Gotham by Midnight works a lot better than it should. A lot of Ray Fawkes’s dialogue is generic cop show stuff, but Templesmith has a way of visually rushing some of the conversations through how he positions the characters. In other words, he makes the problem spots shorter than they’d otherwise be… and it helps immensely.

Some of this first issue plays like Templesmith’s famous, mysterious (and unfinished) cop comic Fell. It does not seem unintentional. The story beats for the first few pages read like a remake.

Fawkes introduces a bunch of characters and a lot of story. The final investigation sequence is a little rushed–in the script, not the art–because Fawkes has an idea for an effective cliffhanger. It’s a little forced, but once the comic switches into full procedural mode, a lot of the seams start showing anyway.

Not bad.

CREDITS

We Do Not Sleep; writer, Ray Fawkes; artist, Ben Templesmith; letterer, Dezi Sienty; editors, Dave Wielgosz and Rachel Gluckstern; publisher, DC Comics.

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