This issue of Bitch Planet, as far as DeConnick’s technical writing goes, is amazing. It’s the best plotted, best constructed comic I’ve read in a long time. The balance of talking heads to action sequences, how DeConnick and De Landro work those action sequences out, it’s phenomenal.
But I still don’t care.
DeConnick reveals the future is a little bit Hunger Games, little bit Rollerball, little bit Running Man, all mixed in with a seventies exploitation film. The characters are amusing–oh, wait, the bad guy is even a Mr. Big-type villain–but the cast in the prison is amusing.
The best thing Bitch Planet has going for it is DeConnick’s script, which makes wonderful connections and is very gradual, very careful with how it leads the reader through the narrative. The rest of the comic is the MacGuffin. Would it be nice if it all connected?
Writer, Kelly Sue DeConnick; artist, Valentine De Landro; colorist, Cris Peters; letterer, Clayton Cowles; editor, Lauren Sankovitch; publisher, Image Comics.