There are some definite issues with Reis’s art here. The people don’t look right; he’s maybe trying a new style and it doesn’t take. Or maybe there are just too many people to draw. The issue is a lot of talking heads scenes, no real action besides the introduction of staged supervillains.
Higgins and Siegel spend a little time with every character, which leaves C.O.W.L. feeling like it’s in need of a protagonist, or at least someone to follow through all these scenes. Instead, it’s a lot of different people and the writers handle those scenes pretty well, but it feels like a collection of subplot scenes thrown into one issue.
Not even the cliffhanger, with the supervillains attacking, has much weight. It’s kind of a treading water issue, kind of not. The writers are good with their characters and Reis’s art is mostly strong. The issue just feels slight.
The Greater Good, Chapter Two: Doppler Shift; writers, Kyle Higgins and Alec Siegel; artist, Rod Reis; letterer, Troy Peteri; publisher, Image Comics.