Is the explanation for Nailbiter’s town of serial killers going to be Nazi experiments in the forties? I think Williamson is going to go for it, meaning he’s always had an explanation in mind for the comic. He’s also getting even soapier as it (presumably) winds up.
The sheriff has a big secret, which the flashbacks are hinting at.
And Nailbiter can almost handle it. It can almost handle being “Twin Peaks,” “Beverly Hills 90210,” “The X-Files,” and “Criminal Minds” rolled into one. But Henderson’s art is all wrong for it. He can’t do the absurdity in the soap. He can’t handle it. He plays it straight and it makes Nailbiter flop. He does it on a full page spread this issue too.
The mood overpowers the narrative novelty and that novelty’s all Nailbiter has that this point so it’s a problem.
But, it’s okay enough.
Writer, Joshua Williamson; artist, Mike Henderson; colorist, Adam Guzowski; letterer, John J. Hill; editor, Rob Levin; publisher, Image Comics.