It’s so good. Do I always start a Lazarus response with that statement? “It’s so good.” Like every time I read the comic, I’m surprised by how good Rucka and Lark do on the comic. It’s always a surprise too. Rucka hits a new ceiling. He integrates Lark and his abilities in an entirely predictable but entirely unexpected way. It’s great stuff.
Lark’s art is real strong this issue overall. He’s got really varied storylines going on, each needing distinct, immediate visuals. Lark finds a tone for each. What’s really cool–and something Rucka did carefully–was get someone likable into every storyline. Or someone comically unlikable (the evil, incestuous sister). It brings a soap opera element into it. And then Lark and Rucka deliver an action sequence.
Lazarus, very, very discreetly, mixes genres. And Rucka does it really well. It might be why the first arc didn’t connect–it was setting up the situation to allow Rucka all the freedom. The painful exposition about the dystopian future, for example, set up the second storyline, which is where Lazarus started to get good. And now it’s one of my favorite comics.
Awesome last sequence too; just awesome.
Poison, Part Three; writer, Greg Rucka; penciller, Michael Lark; inkers, Lark and Tyler Boss; colorist, Santiago Arcas; letterer, Jodi Wynne; editor, David Brothers; publisher, Image Comics.