Miracleman by Gaiman & Buckingham. Will it be the classic always promised? Given how much Marvel butchered its reprints of the Alan Moore issues, will Neil Gaiman–when finishing the comic after twenty-five years–tone it done to make the Mouse happy?
And what do we–the readers–get for a happy Mouse? Not Miracleman, the movie. Do we even get Miracleman the quality collection, with unedited original writer issues?
I am not a Gaiman fan. I am a Moore fan. Going into Gaiman and Mark Buckingham’s Miracleman, I am slightly disinterested. I had forgotten they were going to do it. I had forgotten Marvel had been reprinting Miracleman. They’ve done such a bad job of it, the company clearly stretching its britches past the point of public appropriateness.
What does any of the above have to do with Miracleman by Gaiman and Buckingham? Not much. A little maybe. But definitely not much. Because, so far, there’s nothing to the comic. Miracleman is the granter of wishes. Gaiman writes about people who go see him. Miracleman makes it hard for people to come and ask wishes. But he installs toilets.
Buckingham’s art is cool. It’s an odd pairing with a superhero, but the comic isn’t a superhero book. It’s a pretentious outside-the-mainstream mainstream comic. And an okay one. But, if I were reading it twenty-five years ago, my thought would be the same–there’s only so much time Gaiman can ride on Moore’s steam.
Book Four: The Golden Age; writer, Neil Gaiman; artist, Mark Buckingham; colorist, D’Israeli; letterer, Todd Klein; editor, Cory Sedlmeier; publisher, Marvel Comics.