Dingess takes Manifest Destiny somewhere new and unpleasant. Even though he’s dealt with the unpleasantness of the characters before, this issue–the last in the second “volume” of Destiny–forces the reader’s complicity in that unpleasantness. It’s well-done and should’ve been predictable (Roberts butchers the final page with an exclamation point) but isn’t really. The beginning of the issue’s distractingly strong.
One almost forgotten element of Destiny has been the imaginative wildlife Lewis and Clark find on their voyage. This issue reimagines the traditional vampire as some kind of decapitating, head-stealing flying monster. It’s a neat concept, not too gory in Roberts’s art but still striking. And it makes for a great action sequence.
The subsequent scenes in Destiny remind of Return of the Jedi as Lewis and Clark and company return to the bird people village; it’s why Dingess is able to get away with a big twist. He’s letting the reader enjoy the comic. It starts with a great action sequence, why not celebrate. It’s a trick and a good one.
But Dingess has raised a lot of questions in the comic (just not in this issue) and he doesn’t get any of them answered. They’re starting to get annoying. Otherwise though, it’s just about the best issue of Manifest Destiny yet.
Writer, Chris Dingess; penciller, Matthew Roberts; inkers, Stefano Gaudiano and Tony Akins; colorist, Owen Gieni; letterer, Pat Brosseau; editors, Arielle Basich and Sean Mackiewicz; publisher, Image Comics.