It’s been less than a month since Back to the Future Day and now we are all, like David Byrne sang in “The Book I Read,” living in the future. The Back to the Future book I read marks a personal point of no return for Back to the Future fandom which I didn’t know I had; the moment the train finally jumps the holographic Jaws 19 shark right into Clayton Ravine. This isn’t a terrible comic, merely “meh”, but that mediocrity forces the question to even the most strident BTTF fan: when is it all enough?
With “(x) years until hoverboards” jokes stale forevermore and the first film’s 30th anniversary also in the DeLorean rearview, subsequent Back to the Future revivals are going to feel pretty redundant when fans have already been treated so well by the nostalgia factory of modern pop culture. In the immediate and intervening years after Part III there was the cartoon spinoff, the Universal Studios ride, exhaustively spiffed-up DVD and Blu-Ray re-releases, frequent parodies and homages, and new official merchandise virtually every year since 1991. Fans who waited for some type of Back to the Future Part IV more or less got their wish with a very well designed adventure game by Telltale Games in 2010, for which Christopher Lloyd voiced Doc Brown and Thomas F. Wilson recently recorded Biff’s dialogue for the re-release. At some point, insisting on yet more celebrations and revivals of these characters starts to come off as obsessive and greedy. Ultimately there’s just not all that much depth to be plumbed with these characters. Marty McFly isn’t exactly Hamlet, Prince of Denmark, Oedipal complexities notwithstanding.
The trilogy’s co-writer Bob Gale has been the guiding hand behind BTTF’s continued vitality, serving as story consultant on the cartoon, the adventure game and now (unsurprisingly) this four-part mini-series comic, all the while giving interviews to anyone who’s ever asked about the continued vitality of BTTF. On the last page before the ads he writes an editorial about his goals for the book, basically stating that since the franchise has already spun out maximum mileage on alternate timeline tomfoolery, this comic could best be utilized to tell new backstories about our beloved Doc and Marty. Prequels! They’re like sequels, only more unnecessary! He’s mostly right to acknowledge that people loved the movies because of the characters, but let’s get real, there’s only two types of Back to the Future fans. There’s people who like the quirky, magical love story of the first one and also have some affection for the sweet, sincere love story of the third, and then there’s people who like screaming UNLESS YOU’VE GOT POW-AHHH!!! and seeing Thomas F. Wilson play seven different versions of the same hilarious asshole. Everything Back to the Future related since the third movie has catered to the latter, partially because it’s the bigger audience but pragmatically because Crispin Glover and Lea Thompson are more expendable. Just ask Jeffrey Weissman.