Seventies and eighties comic book sci-fi is some solid stuff. The Rook tries to tap into the genre to get some nostalgia points and it isn’t hard–artist Paul Gulacy drew a lot of good seventies and eighties sci-fi. The classics, if you would. And I’ll bet Steven Grant even wrote some of them.
Not sure if ROM counts.
Sci-fi in comics has gotten a whole lot more mainstream–especially in indie books–so what do returning giants Grant and Gulacy bring to the genre? It’s nearly camp. It nearly feels like a sci-fi comic from the early nineties because of all the references (“Quantum Leap,” “Back to the Future,” Time Machine actually playing a part of the plot), only the style is from a different era.
But then, The Rook is set in 2015, so Grant’s doing this nineties look at college life. You expect someone to call another kid a square for not drinking the spiked punch. And it doesn’t feel like camp in those moments, because Grant’s just not caring about his cast. They’re not as important as the gimmick. Only the gimmick’s not particularly good.
The Gulacy art carries it all, even after Gulacy starts rushing (somewhere in the second half of the issue). Gulacy has the chops to make the characters likable and sympathetic, even if their dialogue doesn’t give them any personality.
The plot’s amusing, the dialogue’s weak, the art’s good. The Rook isn’t the project Gulacy deserves, but he excels with what he’s got.
Writer, Steven Grant; artist, Paul Gulacy; colorist, Jesus Aburto; letterer, Nate Piekos; editors, Ian Tucker and Daniel Chabon; publisher, Dark Horse Comics.