Robert Black is not a likable protagonist. He’s a sympathetic protagonist, with Moore pulling on the heart strings a little in Black’s sanctimonious stupidity, but he’s not likable. He’s a self-important tool and his inability to change makes his troubles somewhat sympathy inducing, but not enough to overshadow the rest of the book.
And, in this case, by rest of the book, I don’t even mean the illustrated portions of the comic, but more of the written back matter. Moore’s trying, with the back matter, to teach the reader how to read Providence, how to imagine Providence. It’s almost like Moore’s giving us his notes and asking for our opinion.
Of course, the comic matter of this issue of Providence is excellent. Moore does two or three surprise reveals in the back matter–things Burrows illustrates in order to hide something for later, thereby changing not just one understanding, but affecting all subsequent ones. I do wish I had read the book once without any of the back matter. I wonder if I wait long enough after the series finishes, if I can see how it works just as the comic.
Some great art from Burrows. Nice mixed media approach. And Moore introduces one of Providence’s first lovable characters. He’ll probably eat Robert in the last issue.
It’s another great issue. Providence is superb.
The Picture; writer, Alan Moore; artist, Jacen Burrows; colorist, Juan Rodriguez; letterer, Kurt Hathaway; publisher, Avatar Press.