Epting gets a little loose this issue, but it’s some great action art. The thing about Velvet is how well the creators understand what they’re doing. Brubaker occasionally pushes too far–The Rock Sean Connery thing–but Epting never does. His seventies action is perfect.
Brubaker does a talking heads book, mixed with some stylized action and dramatic–but uniquely underplayed–story beats. It’s a strange book–the situations aren’t spy movie, but spy novel. There’s no way, CG or no-CG, you can do some of Velvet’s stunts. So, instead, Brubaker and Epting have figured out how to perfect the spy comic. Same basic genre, only they get to take advantage of the comic book medium’s particularities to further the tale.
Velvet’s potential successes are limited–it’s pulp, there’s only so much anyone can do with just pulp–but Brubaker and Epting take it seriously. They’re pushing at the boundaries of the genre. Seeing them take it seriously is part of why Velvet is so much fun to read.
The Man Who Stole the World, Part Three; writer, Ed Brubaker; artist, Steve Epting; colorist, Elizabeth Breitweiser; letterer, Clayton Cowles; editors; Sebastian Girner and Eric Stephenson; publisher, Image Comics.