Providence 8 (March 2016)

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Is it possible Providence may not fulfill all those terrifying promises Moore has made to this point? The series is in its second half and Moore just surprised me with the most obvious narrative development–H.P. Lovecraft. Providence can be homage to Lovecraft, but I never thought he was going to pop up. It changes things. Obviously, the protagonist isn’t going to end the series well–does any Lovecraftian protagonist ever end a story well–but the world might not end.

But it’s Moore and Providence does nothing if not surprise, so I’m assuming I’m not going to guess it right. During the comic, Moore doesn’t encourage contemplations about the next reveal. He’s too concentrated on guiding the reader’s experience, letting the issue’s lettering choices pace out its visual consumption. He delights with the exposition, he delights with the way he conveys it.

Moore juxtaposes how he writes to guide the reader’s experience of the book with how he writes about the protagonist’s experiences with guided hypnosis. Again, thanks to the back matter diary, Robert Black has become the eyes the reader uses the experience most of the world of Providence. So Moore wrapping a couple layers around this visually stimulating, jarringly paced jaunt through dreamland? It’s amazing.

Then Moore just goes back to the comic, goes back to the story. The back matter has a couple soft reveals about the events in the issue. Moore’s got a far more amiable tone this issue. He’s enjoying telling the story.

While often disturbing, Providence is just such a well-told story, it gives you the warm tentacle slimies.

Gorgeous Burrows art as always. The way he and Moore pace out the narrative visually is peerless. They’re an excellent, sort of unlikely team. Burrows has a pragmatic feel to his art and Moore utilizes it to better convey the story.

Another awesome issue.

CREDITS

The Key; writer, Alan Moore; artist, Jacen Burrows; colorist, Juan Rodriguez; letterer, Kurt Hathaway; publisher, Avatar Press.

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