What if the Punisher weren’t an ex-Marine, what if he were just some emo rich(ish) white dude grad student who had to kill to keep a demon from killing him? As punishment for trying to commit suicide. There’s the gimmick to Kill or be Killed. The draw is gorgeous Sean Phillips New York City artwork–he seems more taken with the setting than the characters, in fact. The characters he rushes with occasionally, the setting is always perfect.
But how’s Ed Brubaker’s writing? It’s not great. It might not even be good. Kill or be Killed is a really strange way to do this story. Not in how Brubaker structures it–the narration from the protagonist is obvious but not in a bad way. No, it’s in what Brubaker does with that narration. He makes the protagonist really, really, really annoying.
It’s not even clear if Brubaker is just making him annoying for melodramatic purposes or if he’s making him annoying because the reader is supposed to find him annoying. It’s up in the air. At one point, the lead is talking about cops killing innocent black kids, then next he’s whining about being a trust fund baby who didn’t get to go to NYU grad school until he was twenty-eight. And, guess what, the girl he likes didn’t like him back.
It might work out, it doesn’t seem impossible it could work out. But it seems unlikely. Especially since Phillips has got no time for the demon. Kill’s demon is a visual tranquilizer.
The comic’s not terrible, it’s just terrible obvious. But the art’s real good. It does have the art going for it.
Oh, no. It’s an ongoing series.
Writer, Ed Brubaker; artist, Sean Phillips; colorist, Elizabeth Breitweiser; publisher, Image Comics.