Providence 12 (March 2017)

Providence #12

Providence is over. In less than two years, Alan Moore and Jacen Burrows (and Avatar) have gotten out this series. No offense, but none of them are known for being speedy. But it’s finished. It gets to go on a shelf soon, next to the other Alan Moore hardcovers. It’ll make it into bookstores, it’ll make it into libraries; given it has a Lovecraft “hook,” it’ll be discovered and rediscovered through that connection.

But it won’t permeate, which is fine. We don’t live in a world deserving of Alan Moore appreciation.

There’s going to be time to read the comic again, in one sitting. There’s going to be time to read it again in whatever other way Avatar figures out how to package it. Gigantic hard cover. Late, of course.

And there’s going to be more to find, because Moore works in serial narrative to provide a cohesive finite reading experience too. Who knows what kind of panel echoes there will be throughout Providence next time.

So how’s the comic? It may be a little divisive. Moore has a very personable, loose writing style when he wants. Is life but a dream… sadly no. But reading should be. It’ll be interesting to see how that theme echoes through the whole series. Moore doesn’t cheap on the comics for the issue though. He and Burrows deliver a great finish. The art is crazy controlled. Providence has always needed an oversize printing, but this last issue just goes further with it.

Providence probably should be read when wearing a VR headset and each panel filling your field of vision. The detail’s so good, it should be immersive. But it’s the last issue of Providence and one wants to read it, not dwell on every background detail. It’s the end of the world, everyone gather round.

Providence is done. I wonder when the hard cover comes out.

CREDITS

The Book; writer, Alan Moore; artist, Jacen Burrows; colorist, Juan Rodriguez; letterer, Kurt Hathaway; publisher, Avatar Press.

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