Here’s the thing about Garth Ennis. His story arcs might read well in trade. His limited series might read great in a sitting. But he writes comic books. He paces comic books. And Punisher: The Platoon #6 is one hell of a comic book.
Ennis goes an unexpected route resolving the previous issue’s cliffhanger. He uses the frame a lot, revealing the frame isn’t a frame so much as a perch. It’s the reader point of view, whether they know it or not. Ennis has his epical story arc and juxtaposing and it flows nicely, but these things aren’t the most important thing. The most important thing is how the comic has read and reads.
Because Ennis delivers. He confirms he made a promise earlier in the series–one entirely without verbalization–and he delivers on it. He shows he can do this comic and do a war comic and also do a Punisher comic and then he moves past proving he and Parlov’s abilities to someplace else.
Or maybe Ennis just wanted to make a bunch of grown men cry. With the added bonus it’s a Punisher comic making them cry. It’s one hell of a comic.
Parlov’s art is on, of course. There are a lot of talking heads moments cut into the big action–with the narration and the talking heads so strong the big action flashback panels are almost intrusive. They don’t break the pacing because they’re supposed to be intrusive. Ennis is sort of doing the Wizard of Oz reveal on how the comic works and he needs to get the reader alert.
What a comic. The issue and the series. Ennis and Parlov.
6: Happy Childhoods; writer, Garth Ennis; artist, Goran Parlov; colorist, Jordie Bellaire; letterer, Rob Steen; editors, Kathleen Wisneski and Nick Lowe; publisher, Marvel Comics.