Gross has a double page spread this issue and it’s even more glorious than I could’ve imagined. He keeps the same small panel style, which is part of why the comic reads so well in general, but has a bigger area to flow. It makes up for the very confusing art at the end.
The issue is another full one. Not just with the existing plots, Carey goes ahead and adds another. There are visitors at Highest House and maybe they shouldn’t be trusted. Moth gets suspicious.
Before the end of the comic, after a lot of action and a lot of danger. It’s amazing Moth is still alive by the end–but in a great way. Carey is able to drum up concern as needed. A couple of the many subplots seem to get wrapped up. In both cases it’s more implied; it’s also very likely Carey’s on top of all the subplots. Because Highest House is refined. It’s grand and ambitious but the writing is just as precise as Gross’s art.
It’s an excellent comic.
Obsidian’s Bargain, Part 4; writer, Mike Carey; artist and letterer, Peter Gross; colorist, Fabien Alquier; editor, Denton J. Tipton; publisher, IDW Publishing.