Fantagraphics; 1994; $2.95; 36 pgs; available collected.
Even with Beto doing the centerpiece, Love and Rockets #46 is (technically) a Jaime issue.
The issue opens with Maggie/Perla (it gets even more confusing because there’s a flashback to pre-Love and Rockets #1 days) and Esther hanging out at Vicki’s wrestling training camp. There are three Butt Sisters stories, but they’re really just one story with a brief interlude in the middle to catch up with Danita back in Hoppers. Jaime plays the wrestling “prologue” mostly for laughs. Esther has, unfortunately, become Hopey-lite in this story. Maybe even Hopey-lite-lite because she’s really just there to do comic emphasis for Maggie’s plight.
Maggie hasn’t worked out her issues with Gina, the wrestler who not only is mad crushing on her but also took a knife for her (sort of). Xo and Vicki are also at the wrestling camp (obviously) but they’re secondary supporting, which is kind of weird since–at least with Xo–Jaime had promoted her to a lead role. Not now with Esther around.
The interlude with Danita is Jaime’s second best work of the issue, if only because of its brevity. No dialogue, no text whatsoever. Danita misses Ray (which requires the usual massive suspension of disbelief because Ray), she’s lying to her mom about stripping, she gets a dangerous stalker, she’s in a bad place.
So the third “chapter” of Butt Sisters is Danita moving to Texas to live with Maggie and Esther. Along with her son. But mostly it’s a flashback about how Maggie got back into the mechanic business pre-Love and Rockets #1, starring Hopey, Izzy, and everyone else from those days. Even though Jaime’s doing it in his current art style, the flashback just reminds how much fun Locas used to be, which is a bit of a downer, because it’s like he knows–and Maggie definitely knows–how much more fun life was in those days.
The third part also reveals Esther is only Hopey-lite in certain circumstances. The rest of the time she’s a bit of a buzz kill.
But it’s a good story, with a really nice flashback, and a solid punchline at the end. So it’s a real surprise when Beto doesn’t just smoke it, he smokes it with his own riff on Locas.
Hernandez Satricon is Beto doing a Mechanics story. Maggie, Rena, Hopey, Penny, Izzy, Daffy, and Rand Race all appear. Maggie’s the lead, working with Rand and Rena to figure out what a gigantic bowling ball is doing. Changing reality is what it’s doing. Maggie gets the day off and spends it looking into the other scientific teams, leading to disaster, romance, and–finally–a new reality.
Beto boils it all down to the base elements and does a phenomenal job. Great art–his tightest lines in a while as he’s homaging–and a fantastic story. He brings the wonder back to Locas, whether it’s Penny as a superhero or just the pleasures of jigging. It’s awesome.
Jaime gets his own shot at Beto’s characters with the next story, which is Maricela and Riri as kids in Palomar. Riri steals her mom’s makeup so Marciela can get Luba looking like a movie star whether she likes it or not. It’s a really cute story, great art, but it’s just a cute story. Maybe cuter than Beto would ever do, sure, but it’s nowhere near as ambitious as Beto’s riff on Mechanics. Of course, Jaime only gets four pages while Beto got fifteen.
The issue starts good, with sprinkles of greatness, then gets singular with the Beto riff. The Jaime riff on Palomar is cool too. It’s just not jawdropping like the Beto.