Duh, Ha-Ha (2019)

Duh! Ha-Ha

Duh Ha-Ha is quick and lyrical. The nameless narrator sets up the ground situation in a page; she’s a listless early twenty-something who works in restaurant of some kind, probably not a chain. Her boss gives her a ride home and she thinks about what would happen if she his old bones. Would his gratitude outweigh his anger? Not a lot of time for the narrator to think about it because when they get to their destination, a staff party the boss is paying for (hence why I can’t believe it’s a chain), the younger guy next to her starts chatting her up.

And old boss man doesn’t like it, which convinces the now drunk narrator to come on strong to stranger guy, leading to a moderately big reveal—except creator Carolyn Nowak doesn’t want to tell the story of how that moderately big reveal affects anything. Instead, she moves on to the narrator just talking about her relationship with the guy, who becomes a (decent) boyfriend, which adds to the lyrical quality.

Nowak’s art is good, her sense of visual pacing is superb—the way she’s able to get past the expectation of a reveal exploration comes with a white text on black panel jump ahead, but also on the effectiveness of the postscript, where Ha-Ha becomes more about the narrator in the relationship than anything earlier had been about the narrator.

Nowak’s also a master of the abrupt ending. When the comic stops, you expect there to be more, but when there isn’t… the stop point makes all the more sense. It’s not groundbreaking, but for a twelve-page indie comic, there’s not much more you could ask for than Duh Ha-Ha.

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