The Punisher #36, Barracuda, Part 6 (of 6)

The Punisher #36

Turns out the big problem with Barracuda isn’t going to be Barracuda not being a great villain or the Wall Street betrayal arc not creating great ones either, but Ennis not really having a finish for Frank. Sure, he’s got a concussion and he’s outgunned, but his big plan in this issue doesn’t allow for every contingency. It also goes wrong because Frank gets sloppy—again, the concussion can allow for those mistakes, but shouldn’t he at least recognize it, acknowledge it? After gliding over past tense narration pitfalls, Ennis slips and falls just when he needs to keep it going. Barracuda might seem like an arc about a “guest as tough as Frank” adversary and some scumbag Wall Street types, but it’s really about Frank Castle messing up and apparently not learning from it.

It’s weird.

Especially since Ennis brackets the arc with this open-ended “what’s the only thing more dangerous than a barracuda” bit in the narration. Is it the sharks? There are a lot of sharks in this issue, some fully visualized, some just shadows in the water—both equally awesome, thanks to Parlov. Or is it Frank? Is Frank the only thing more dangerous? Because he’s not. Because he gets caught with his pants down this issue. Again, weird.

But far from a bad issue. Parlov’s art is great, Ennis’s writing is strong in everything else, whether it’s the Wall Street subplot (the boss’s conniving wife and her lover) or Barracuda. Though the resolve does have an unfortunate plot… depression. It’s not a hole, it’s something they needed to deal with in panel not off page. Parlov's implication is fine, it just doesn’t have any dramatic resonance.

Ennis brings the conclusion in all right, albeit with a somewhat fake finish—that dangerous barracuda musing—but it certainly feels like something happened with the Barracuda arc. The Punisher versus Wall Street certainly promised a lot more potential. And it’s not like Ennis is trying to avoid sensationalism—there are sharks eating investors and so on. Something just seems off, like mid-arc changes were made or things just didn’t shake out in the writing.

For the first time ever, Punisher MAX ends up leveraging the art to support the writing. Thank goodness Ennis has got Parlov to do it because Parlov can do it, does do it. Barracuda’s not great (outside the art) and it’s more than a little disappointing, but it’s still good. It’s just good enough instead of superb.

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