War Stories 23 (April 2017)

War Stories #23

Ennis sticks with British fliers and World War II–and four issue arcs. And it works out. The setting this time is Tunisia and some Brits taking over a previously Italian (and German) camp. It still has some Italian officers as prisoners of war, giving Ennis a chance to develop character relationships between opposing sides. There are some Germans around, of course, and not all the Brits are as civilized as the gentlemen pilot; presumably there will be some drama. Aira continues to do balance the book better between talking heads and illustrated war machinery. He does particularly well in the desolate setting. War Stories’s uptick might not survive the whole arc, but it certainly isn’t showing any signs of failing yet.

CREDITS

Flower of My Heart, Part One; writer, Garth Ennis; artist, Tomas Aira; colorist, Digikore Studios; letterer, Kurt Hathaway; publisher, Avatar Press.

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Jessica Jones 4 (March 2017)

Jessica Jones #4

Someone’s killing capes. It’s good to see Bendis is as original as always. Besides an annoying talking heads sequence with Captain Marvel, this issue is probably the best one so far. Well, except the scene with Misty and Luke Cage talking about Jessica, that one was just cheap. I guess the last scene is okay. You know, wait–the more I think about the comic, the worse it seems.

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

Jessica Jones 3 (February 2017)

Jessica Jones #3

It’s another non-starter for Jones. No “case” either, which makes the promotional materials referring to each issue as a case more annoying. Lots of boring talking heads with occasional PG–13 curse words. Bendis’s big reveal is weak, the art is boring (not Gaydos’s fault though).

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

Jessica Jones 2 (January 2017)

Jessica Jones #2

It’s an entertaining issue, with some rather good Gaydos artwork, but Bendis is covering a lot of the ground situation as revelations to cover up for the narrative failings. Jessica Jones doesn’t have its own tone. Alias: The Sequel it’s not, but it’s nothing else yet either.

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

Jessica Jones 1 (December 2016)

Jessica Jones #1

I loved Alias, I really did. I can’t even bring myself to read the trades again. I even have the hardcovers. Loved that comic. I didn’t realize Jessica Jones was going to be Bendis and Gaydos, I thought just Bendis. Jessica Jones is like a remake of Alias, only without the shock value, without the intrigue, with some superhero soap opera thrown in. Reading it, I had to remind myself the comic doesn’t do done-in-ones, so not to expect too much.

Overall, it’s better than expected, but Bendis is treating Jessica like the subject of the comic not the protagonist. He’s got cameos from Misty Knight and Jessica Drew and the latest crop of New York heroes. Because New York is back–Gaydos’s New York from the regular people’s perspective, that amazing thing he does with it. And it’s cool. It’d be better if Jessica were a stronger character, it’d be better if the mystery were actually engaging, it’d be better if it didn’t rely so heavily on Jessica’s post-Alias backstory. I can’t believe Bendis expects the reader to keep up with it all.

Will Jessica Jones get to Alias-levels of quality? Nope. Will it get better if Bendis has enough time to get through setting up his elaborately deceptive ground situation? Probably. It’ll have Gaydos art and the art is almost worth the price of admission alone.

CREDITS

Writer, Brian Michael Bendis; artist, Michael Gaydos; colorist, Matt Hollingsworth; letterer, Cory Petit; editors, Alanna Smith and Tom Brevoort; publisher, Marvel Comics.

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