Dark Horse Presents 137 (November 1998)

So Nazis versus Predator and the best Marz can come up with is a story set in South America? Castellini’s art makes up for some of it—even though he can’t draw the Predator, the rest of it looks good. But Marz’s writing is pretty dumb. Seagle and Gaudiano have another My Vagabond Days, this time about the space program. Sort of. Seagle seems to think doing a lyrical narrative about growing up in the Sixties is inherently interesting. Even with Gaudiano’s artwork, it’s not interesting. Seagle, it turns out, didn’t grow up in the Sixties as a teen… have I … Continue reading Dark Horse Presents 137 (November 1998)

Dark Horse Presents 136 (October 1998)

Another endless installment of The Ark. Verheiden’s writing gets really padded here, especially with the conversations. With the long page count–sixteen pages an installment–I wonder if it was intended to be a limited series then someone at Dark Horse realized no one in his or her right mind would buy it. So instead they stuck it in Presents, figuring by the time the reader got to this issue–with The Ark taking up one half and the awful Western (I’ll get to it in a minute) taking up the other–it’d be too late for them to give up. Randall–who I just … Continue reading Dark Horse Presents 136 (October 1998)

Dark Horse Presents 135 (September 1998)

Macan and Doherty finish Carson of Venus poorly. Doherty’s artwork this installment is particularly bad and, though Macan seems to be trying, the characters are all weak. Macan’s attempts at humor are a woman getting slapped around by her husband. So it kind of goes well with Brubaker and Lutes’s finish to The Fall, all about a guy who wants to murder women. It’s a good conclusion, but it needs an epilogue. While I can understand why Brubaker finished without resolution, he still needs it. It doesn’t compare to the first few installments though. I was excited to see early … Continue reading Dark Horse Presents 135 (September 1998)

Dark Horse Presents Annual 1998 (September 1998)

The annual opens with Mignola doing a retelling of Hellboy‘s origin. I guess it’s all right. Kind of pointless, but fine. Weissman finally gets a two page Phineas Page and shows why he should have stuck to a page. Van Meter and Ross team for the first comic book appearance of Buffy. The writing is more lame than not, but it’s maybe the best Ross art I’ve ever seen. Watson’s Skeleton Key is a fairly charming little story about a witch and a little kid. I’m assuming the character’s a witch, otherwise it’d be pointless. Some wacky art mistakes though. … Continue reading Dark Horse Presents Annual 1998 (September 1998)