Bloodhound 10 (June 2005)

Thank goodness, Kirk is back for this issue, which is unfortunately the last one. Jolley wraps up a little–he got the Agent Bell backstory into the issue unexpectedly–but only what he absolutely has to resolve. Zeiss shows up sparingly and Jolley barely spends any time on him. One can see where Jolley might’ve taken that subplot had the series continued though. The issue’s a little investigation, a lot of talking and a lot of fighting. It’s a strange mix and definitely gives Bloodhound that TV procedural feel again. Agent Bell does the talking, Clevenger does the fighting. Together they’re… well, … Continue reading Bloodhound 10 (June 2005)

Bloodhound 9 (May 2005)

Eddy Barrows takes over the pencils. Kirk’s absence is definitely Bloodhound’s loss. About the only thing Barrows does right is show Clev as a giant. Otherwise, he’s mediocre. Except maybe his panel composition; it’s weak. He does manage to do the small town stuff pretty well though. He doesn’t ruin that aspect, let’s say. The mystery continues–though Jolley pretty much gives it away by the end, which makes no sense (it’s separate from the main narrative). There’s a little more development between Clevenger and Bell, but a lot more with the angry townsfolk. There’s also the guest appearance from Batman … Continue reading Bloodhound 9 (May 2005)

Bloodhound 8 (April 2005)

Jolley skips ahead a little, giving Clevenger practically a superhero outfit–a special Kevlar shirt, I think–and a little more freedom. Jolley uses Clev’s ex-girlfriend to reveal the information. It’s a nice little device, since it develops Clev a little. Agent Bell gets the most character development in the issue; more of a past revelation, but it makes she and Clevenger’s partnership a lot more interesting. The issue mostly takes place in a small Southern town where the FBI suspect a metahuman arsonist. There’s a lot of investigating, a whole cast of guest stars and a lot of personality to the … Continue reading Bloodhound 8 (April 2005)

Bloodhound 7 (March 2005)

Kirk tries out a different style for this issue’s extended flashback. I get it’s supposed to be folksy–the flashback takes place on a farm–but it lacks personality. It’s one of those awful farm stories; it’s effective too. Jolley makes the reader remember it and calls it back later. There’s very little mystery to this issue. There’s suspense. Bloodhound is more a thriller book than anything else. Jolley brings a lot of toughness into the DC universe with the title. His concepts don’t fit in superhero books, which is kind of the point. It’s the dirty underside. Jolley’s able to hide … Continue reading Bloodhound 7 (March 2005)

Bloodhound 6 (February 2005)

Putting Clevenger back in prison proves a good choice for Jolley. He plots it to put Clev out of his comfort zone, which creates some drama on its own, then Jolley amps it up with a good soft cliffhanger. Meanwhile, the FBI agent has some character development scenes and then her own subplot after she finds out a little about what’s happening at the prison. Jolley doesn’t do any character development on Clevenger, which is odd since he’s the protagonist, but more effective. FBI agent Bell is a better guide through Bloodhound. She (and the reader) can be surprised. Clevenger … Continue reading Bloodhound 6 (February 2005)

Bloodhound 5 (January 2005)

Jolley writes Firestorm better in this comic than he does in his own title. Maybe because the Bloodhound stuff just runs off. It’s actually a rather successful crossover issue between two books without any reason to crossover. It doesn’t hurt Kirk and Riggs easily toggle between realistic action violence and superhero stuff. Or how Jolley lets Clev guide the issue–Jolley basically incapacitates Firestorm, which really helps with the plot developments. It reads a lot less silly than it could. But even good art and good dialogue can’t make the villain any better. He’s one dimensional and boring. The issue needs … Continue reading Bloodhound 5 (January 2005)

Bloodhound 4 (December 2004)

It’s the conclusion to the first arc–and an astoundingly bloody one–but also the origin issue. Jolley’s able to work in some background information on Clev, which probably provides the issue with most of its dialogue. Otherwise, it’s Clev and the bad guy beating the crap out of each other. It’s a vicious fight, lots of blood for a DC book. Even for a tough one. It makes for a good read; Kirk and Riggs outdo themselves. But there’s a downside. Jolley doesn’t reward the reader. He goes for a realistic ending–or maybe one to direct the series to its next … Continue reading Bloodhound 4 (December 2004)

Bloodhound 3 (November 2004)

For lack of a better phrase, one could call this issue the “eureka” issue. Clev and his partner–Agent Bell–do their investigating and realize what they need to realize. Jolley’s able to make it even more dramatic since Clev is a muscle bound grotesque and just having him talk to people makes for a scene. Jolley doesn’t give the reader too much information on the bad guy and instead makes the issue’s villain the FBI boss. It leads to some funny scenes and some violent ones, but misguided FBI agents aren’t the best villains. Even temporary ones. Kirk and Riggs’s artwork … Continue reading Bloodhound 3 (November 2004)

Bloodhound 2 (October 2004)

I like a lot of this issue. Jolley opens it well, the middle part is good, most of the ending is good. He goes out on a joke, which doesn’t work, but there’s some great stuff just before the finish. In other words, Bloodhound is a good book. Jolley puts it all together quite nicely, as the protagonist reacquaints himself with old friends and his new colleagues. But the most impressive thing in the issue is the way Kirk and Riggs draw a pair of hands. It’s not supposed to be a subtle panel, it’s supposed to be clear, but … Continue reading Bloodhound 2 (October 2004)

Bloodhound 1 (September 2004)

Bloodhound takes a while to get bloody. It has to get bloody–most of the issue takes place during a prison riot with the lead characters trying to survive to the exit. When the issue starts, however, it generally feels like a regular DC comic. I mean, Leonard Kirk and Robin Riggs’s artwork is–while utterly fabulous–definitely mainstream comics art. Kirk has some beautiful panel composition for the reaction shots during conversations and then more during the action scenes. Dan Jolley’s dialogue has a lot of information to follow, but he never goes overboard with the exposition. There are little comments as … Continue reading Bloodhound 1 (September 2004)