What an issue. I mean. Damn. Fingerman takes all the readers’ built-up affection for Rob, all their built-up hope for him and puts them through the ringer. By the time Fingerman gets the reader cleaned off–and this issue of So Many Bad Decisions is easily the least funny, it’s downright depressing and bare–Rob might be in a terrible place.
Only, logistically, the seriousness of Rob’s situation is only there because how of Fingerman put the readers through the ringer. It’s beautifully constructed. In a lot of ways, it’s Fingerman’s best issue, just for how he’s able to control the readers’ attention through the comic. It’s precise, but never constrained. He’s always encouraging readers to look for more and not pay as much attention to what’s actually going on with Rob’s life. It’s fantastic misdirection.
The issue’s intense. Fingerman fills every page with finality and doom. Seriously, there’s really almost nothing funny about the issue. The one notable time Fingerman goes for laugh relief, he uses it to introduce a new character and then a realization for Rob.
So Many Bad Decisions ends wonderfully. Fingerman shows off, flexes, schmaltzes; it works out.
Writer and artist, Bob Fingerman; publisher, Image Comics.