Doomsday Clock #2 (February 2018)

Doomsday Clock #2

Upon reading this issue of Doomsday Clock, which is regular length instead of extended like the first, I’ve decided I’m done. I don’t care about the identity of the new Rorschach. I don’t care how Rorschach gets on with Batman. Don’t care how Veidt gets on with Lex Luthor. Or why the Comedian’s back? Or did Dr. Manhattan create the DC Universe–Johns just integrates the big rumors about the series into the book. Why not. There’s nothing else to do.

The jumping off point isn’t the cliffhanger or the trip to Earth One. It’s Batman. It’s Bruce and Lucius Fox arguing over whether or not Batman is necessary. Maybe it’s in current DC continuity, I don’t know. Something about the Superman Theory, which I thought was the name of a bad comics convention bar band, but whatever. Don’t care.

Johns isn’t trying. He’s also got a gross sexist opening he can’t get away with because he’s Geoff Johns and craven and Gary Frank’s art lacks any subjectivity. It’s too objective for gross sexist bank managers. Frank’s art invites a lot of examination Johns’s writing really can’t support. Frank’s at least trying. Johns is not.

So. No more. Clock is stopped for me.

Unless the villain’s Labo at the end and Johns is daring the original creator to sue. But maybe not even then.

CREDITS

Places We Have Never Known; writer, Geoff Johns; artist, Gary Frank; colorist, Brad Anderson; letterer, Rob Leigh; editors, Amedeo Turturro and Brian Cunningham; publisher, DC Comics.

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Doomsday Clock 1 (January 2018)

Doomsday Clock #1

There’s one big problem with Doomsday Clock. It exists.

And a lot of it is worse than one might expect. Apparently, in 1992, after the plan at the end of Watchmen didn’t work out, the United States elected Robert Redford president. Only he isn’t a hippie dippy Robert Redford, he’s President Trump. There’s even a wall.

So, you know, if you want to read Doomsday Clock to make fun of Geoff Johns’s writing… it provides a lot of opportunity. Is it worth reading for that reason? Depends on whether or not you want a lot of fodder for mocking Geoff Johns.

Or maybe you just want to see Gary Frank “Gary Frank” a Watchmen sequel. Only one where the DC Universe gets involved. And that crossover–albeit to a different, somewhat darker DCU (I think, has DC changed Superman’s origin lately)–gets to have the Watchmen panel layout.

You think Frank and Johns weren’t going to ape Watchmen down to the panel layouts. Please. Doomsday Clock is craven and desperate.

It also seems to be implying, after Watchmen, Nite Owl feels so shitty about Rorschach dying he takes up the mask, as it were, and lives his life aping him. Or something. It’s dumb. It’s a Watchmen sequel written by Geoff Johns. Of course it’s dumb.

It’s kind of sad how dumb it gets. Especially when Johns brings in some costumed villain sidekicks for NuRorschach. They’re terrible enough maybe they were in Before Watchmen. But I’ve blocked that previous desperate attempt from DC to turn Watchmen into a brand name from my memory.

I finished Before Watchmen though. I’m not sure I really want to see what Johns and Frank have cooked up for them in After Watchmen.

I do want to know if the team refers to themselves as The Watchmen though. I really, really hope they do. If you’re going to show the world you’re an exceptionally pedestrian writer, you might as well do it on a corporate Watchmen sequel.

Is Doomsday Clock worth the read to intellectually dissect it and roast it? For five dollars? In this economy?

CREDITS

That Annihilated Place; writer, Geoff Johns; artist, Gary Frank; colorist, Brad Anderson; letterer, Rob Leigh; editors, Amedeo Turturro and Brian Cunningham; publisher, DC Comics.

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