The Autumnlands: Tooth & Claw 6 (June 2015)

The Autumnlands: Tooth & Claw #6

I’m not sure why Busiek feels the need for Dusty; he’s the puppy guy who’s sort of the protagonist of the comic. He only ever uses him to deceive the reader. In this issue, the human is doing something he doesn’t tell Dusty about so there’s that surprise for reader and character, but then Busiek’s got Dusty doing something the reader doesn’t know about. So he’s not reliable and not because he’s shifty, but because Busiek’s just using him as a vantage point.

It’s an okay issue of Autumnlands. Dewey does rather well with the disaster and action sequences (the human still doesn’t look good); his art makes the comic. Without it, Busiek would just be spinning his wheels.

There’s more political intrigue this issue. There’s more coincidences leading to big changes in the political spectrum. There’s more implied characterization than actual. It’s slight. It’s gorgeous looking, but Autumnlands’s shallow.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

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The Autumnlands: Tooth & Claw 5 (March 2015)

The Autumnlands: Tooth & Claw #5

Busiek’s kind of showing his hand with Autumnlands this issue. Not the plot as, though some of it, but more just how the comic’s going to be, how it’s going to read. It’s magic talk around a bunch of anthropomorphic steampunks. Maybe I’m just sick of Busiek not knowing what to do with the narrator. When he just narrates, it’s really annoying.

The issue’s story is a lot of political maneuvering and double-crossing and so on. It’s competently done, but never interesting or original. There’s a lot with the champion, usually through the narrator’s eyes, with these little asides letting the knowing reader in. If you don’t want a narrator, don’t use one. Don’t undermine him, not unless you want the reader not to like him, which is a perfectly reasonable (if unlikely) possibility.

Dewey’s art seems a little hurried and he’s still no better at drawing the human.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Albert Deschesne; publisher, Image Comics.

The Autumnlands: Tooth & Claw 4 (February 2015)

The Autumnlands: Tooth & Claw #4

Yeah, Dewey really can’t draw people. He’ll do this beautiful anthropomorphic giraffe and then the lame human character. Of course, the human character is only lame in how Dewey draws him; Busiek writes the character rather well.

Busiek brings Dusty–who the first entire issued followed–into the present narrative as the human’s sidekick. They go out and explore the world and discover things aren’t like Dusty, on the sky-ship, has been told. And all the art is beautiful. Except the human.

I can’t remember how to spell the human’s name, which is why I’m just calling him the human. Busiek goes for something close to Leonard, but there’s a Y in there somewhere.

There’s the behind the scenes corrupt and the evil, if dumb, owl. I was hoping Busiek would tone down the political intrigue a bit, but the issue works out well even with it hanging around.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

The Autumnlands: Tooth & Claw 3 (January 2015)

The Autumnlands: Tooth & Claw #3

Busiek finally seems to be going somewhere with The Autumnlands. It’s unfortunate he needed a human to get the story moving, but Busiek turns what appears to be a contrived new character into just the thing the series needs.

The human savior from the past is a soldier with cybernetic implants or something. I’m sure Busiek will get around to explaining; he hints at a lot of stuff here, including have the guy use slang. And speak the language of the beast. It gives the reader better access to the world of the characters.

Speaking of characters, there’s a lot of good character development this issue. Busiek concentrates, he doesn’t look around too much, he doesn’t try focusing on anyone too much. Not even the teenage dog kid who was apparently once protagonist but not anymore.

Dewey’s art is still gorgeous, with one exception. He doesn’t draw humans particularly well.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

The Autumnlands: Tooth & Claw 2 (December 2014)

The Autumnlands: Tooth & Claw #2

It turns out the savior of the animal Earth of Tooth & Claw is–shock of all shocks–a human. A savage, but honorable warrior, which makes sense because something about the way Busiek writes the exposition about the savior (before his species was revealed) reminds of Conan.

Oh, and it’s The Autumnlands: Tooth & Claw now. I thought it was just a style thing (since the people all crashed down to the ground from the floating cities), but apparently it’s a trademark thing.

The result is the story having, so far, nothing to do with autumn. Actually, the issue takes place in one night with a herd of boar attacking–they’re happy the city-dwellers have been brought low–and the savior hatching. There’s arguing and some character stuff from the previous issue’s protagonist, but Busiek’s going for action and lots of events.

It’s fine, but Dewey’s art makes it worthwhile.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Jimmy Betancourt; publisher, Image Comics.

Tooth & Claw 1 (November 2014)

Tooth & Claw #1

Writer Kurt Busiek takes a traditional–though not for comics–approach to this first issue of Tooth & Claw. He treats it as a “pilot movie” for the series, introducing a bunch of characters who aren’t going to be important later but are important to this issue’s story. It’ll be interesting to see if he keeps up the structure for the series going forward, will every issue have an actual complete three act structure.

It’s a fantasy world where animals walk on two feet and talk and cast spells. The whole society is based on magic and trade. There are big hints of humanity being part of the story, but Busiek doesn’t go into it this issue. He should, given the time spent hinting, but he concentrates on his cast and how they handle a catastrophe.

It works out because Benjamin Dewey’s art, gorgeous throughout, is even better on the finale.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterer, Jimmy Betancourt; publisher, Image Comics.

The Legend of Wonder Woman 4 (August 1986)

The Legend of Wonder Woman #4

And here Busiek and Robbins run into a big problem. They’re doing a last pre-Crisis story and so there needs to be some transition. Well, needs is a strong word. They put in some transition, which the bookend system they’re using requires. And it’s a nice enough transition, it’s just not the right one for this series.

The resolution to the main story is phenomenal. There’s fighting, there’s personal growth, there’s romance. There are kangaroos used in battle. Busiek and Robbins balance the crazy story elements with the human conflict. And they do allow some relaxation for their cast….

Before they cut forward to the modern day and deal with the Crisis stuff. The series, while excellent, is a perfect example of why a superhero comic’s worst enemy can often be itself. Even though it’s sublime, the issue’s politics stop it from being as rewarding as it should be.

B+ 

CREDITS

Splitting the Atom; writers, Trina Robbins and Kurt Busiek; artist, Robbins; colorist, Nansi Hoolahan; letterer, L. Lois Buhalis; editor, Alan Gold; publisher, DC Comics.

The Legend of Wonder Woman 3 (July 1986)

The Legend of Wonder Woman #3

Someone–Busiek or Robbins or both of them–came up with the structure of this series and all of a sudden it becomes clear this issue and it’s fantastic.

Legend goes from being a nice homage series to something wholly original. Unless the old Wonder Woman comics are as well-plotted, in which case they don’t get enough credit.

Busiek works up the revolt angle, with Wonder Woman starting imprisoned then getting free and fighting alongside Steve Trevor. There’s some wacky fake, but very amusing, atomic science in here too, but then comes the big moment. Busiek and Robbins work towards what should be a rewarding, if all action finish and then go past it.

But if they’re padding for a fourth issue, it never feels like it. The characters, their decisions, all make sense. Busiek does a great job with Steve Trevor too.

Awesome work with the brat too.

A- 

CREDITS

Inside the Atom Galaxy; writers, Trina Robbins and Kurt Busiek; artist, Robbins; colorist, Nansi Hoolahan; letterer, L. Lois Buhalis; editor, Alan Gold; publisher, DC Comics.

The Legend of Wonder Woman 2 (June 1986)

The Legend of Wonder Woman #2

Right after I say Robbins doesn’t spend a lot of time on backgrounds… she spends a lot of time on backgrounds this issue. The difference is the setting. It’s a fantastical hidden city, not Washington D.C.–and, during the action sequence, the backgrounds do still fade away. So my observation seems about half right.

There are lots of developments this issue. The little brat sidekick becomes a good character–or a better one and not just comic relief–and Steve Trevor stages a revolt in the atomic world. Busiek does a great job applying real emotion to the outlandish situations, not just with Trevor but with how the hidden city invasion plays out.

The way Busiek and Robbins introduce the hidden city is cool too. They split Wonder Woman and the sidekick to cover more ground, but both threads inform the other.

The adventure seems slight, but the creators’ imaginativeness keep things going.

B+ 

CREDITS

The Land of Mirrors; writers, Trina Robbins and Kurt Busiek; artist, Robbins; colorist, Nansi Hoolahan; letterer, L. Lois Buhalis; editor, Alan Gold; publisher, DC Comics.

The Legend of Wonder Woman 1 (May 1986)

The Legend of Wonder Woman #1

How far can unbridled enthusiasm take something? Well, if The Legend of Wonder Woman is any indication, unbridled enthusiasm can go a very long way.

Kurt Busiek and Trina Robbins have the task of saying farewell to the pre-Crisis Wonder Woman. It opens in the present, so having Robbins’s Golden Age-inspired art showing modern events immediately forces the reader to adjust. For example, Robbins doesn’t spend a lot of time on backgrounds in action shots; her style forces the reader to pay attention to the establishing shots.

But those panels aren’t empty. There are often a lot of people reacting. The time Robbins didn’t spend on detailed backgrounds goes into the background cast.

The story itself is complicated pretending to be cute. Busiek concentrates quite a bit on character (Wonder Woman, the villain, Wonder Woman’s nasty little kid sidekick) before the big monster attack finish.

The abrupt ending’s problematic though.

B 

CREDITS

Legends Live Forever; writers, Trina Robbins and Kurt Busiek; artist, Robbins; colorist, Nansi Hoolahan; letterer, L. Lois Buhalis; editor, Alan Gold; publisher, DC Comics.

Wednesday Comics 12 (23 September 2009

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One should never hope for too much from finales. Especially not from an extremely uneven anthology series like Wednesday Comics.

Batman’s bad. Kamadi flops. Superman apparently only remembered after twelve installments he had a wife at home.

Deadman is okay. One of the better mediocre strips. Green Lantern is bad. Metamorpho is lacking; Gaiman tries too hard for nostalgia.

Teen Titans is awful, Adam Strange is great. Supergirl is cute again, but Metal Men goes out too dreary. I still have no idea what story Caldwell told with Wonder Woman.

Sgt. Rock’s lame again, but in a syrupy way now. Good Flash comic, though confusing, and an almost okay finish to The Demon and Catwoman. Hawkman is severely lacking too.

The winner of Wednesday Comics is easily Paul Pope for Adam Strange. The losers are just as easy–the inept team of Eddie Berganza and Sean Galloway for Teen Titans.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 11 (16 September 2009)

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Azzarello writes Batman as a rube while Risso tries to ape Sin City as a Batman. Gibbons once again summarizes the action too much on Kamandi. Sook’s barely got anything to do.

Superman is bad. As usual.

Deadman’s okay, Green Lantern’s awful. Ditto, respectively, for Metamorpho and Teen Titans. Hope respectively, in that sense, means Titans is the awful one.

Good (not great) Adam Strange. Poor (not terrible) Supergirl.

For the first time, Garcia-Lopez is too busy on Metal Men. All the large scale action hurts it. And Caldwell breaks out of his little panels for Wonder Woman. It’s a mistake.

Sgt. Rock is okay, The Flash is great. Demon and Catwoman sucks–it’s Simonson’s fault. Stelfreeze just doesn’t have anything good to draw.

Awesome Hawkman–the art’s astounding. Baker really outdoes himself.

Wednesday Comics is wrapping up. Shame most of the creators have no idea how to close.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 10 (9 September 2009)

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Batman versus dogs, Azzarello’s inspired and Risso can’t even draw a cool Batmobile. Kamandi comes back a little; there’s a big battle scene, lots of panels. Arcudi misses a great Superman: The Movie homage on his dumb Superman strip.

Deadman’s okay, though all the action seems inappropriate. Green Lantern is lame; Busiek doesn’t understand weekly one page pacing. Metamorpho is competent but lame. Teen Titans is awful. Galloway’s a terrible writer.

Pope’s Adam Strange rocks. He’s clearly wrapping it up. Supergirl’s weak again. Too much plot, not enough cute. The Metal Men has some great art and a touching final couple panels. The Wonder Woman is once again confusing but still good. Maybe Caldwell just needs more space to tell the story.

The Sgt. Rock is okay. Far better than the strip’s worst. Decent Flash; very sci-fi.

Predictably lousy Demon/Catwoman and great Hawkman.

Comics is almost over.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 9 (2 September 2009)

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The art on Batman’s good. Risso’s aping Frank Miller, but it’s a stylish fight regardless. Kamandi continues to have story problems and poor Sook has nothing active to draw. Crap Superman. Nice Deadman. It might be Comics’s underdog strip.

It’s the best Green Lantern, which says little for the strip. Metamorpho‘s periodic table gimmick is so tired in its second week, Gaiman’s even bored writing it. I think someone told Berganza he was writing a kids’ cartoon for Titans, not a comic strip.

Good Adam Strange. Pope hasn’t topped his Earthbound Adam development so it’s kind of underwhelming.

Lame Supergirl (too wordy), okay Metal Men. Wonder Woman’s fine, Sgt. Rock’s not awful.

Oh, The Flash. Fletcher and Kerschl homage various comic strips. It’s fantastic. Best thing this issue except Baker’s Hawkman versus T-Rex panel.

And The Demon/Catwoman is awful again. Its quality’s plummeted.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 8 (25 August 2009)

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Batman’s bad; Azzarello’s desperate to make it a noir and he just can’t. Kamandi’s mediocre. Still nice art but the story’s stalling. Superman has no story and is bad too. Deadman’s got some great art.

Oh, Green Lantern. It’s weak again. Metamorpho’s fun, with a periodic table gag, but there’s no story. Teen Titans is inexplicable and bad. Adam Strange is confusing and fantastic. Supergirl’s tiresome. Very nice art on Metal Men from Garcia-Lopez, even if Didio’s run out of character moments.

Wonder Woman’s nearly comprehensible, even if Caldwell wastes most of his page. Sgt. Rock’s lame but not bad, The Flash is good. Oh, The Demon and Catwoman. Stelfreeze is wasted on such big panels. His work looks better when it’s precise, not emboldened.

Baker’s got a neat Hawkman, spanning two or three genres. Interesting Batman rendering too.

Comics’s moving along.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 7 (19 August 2009)

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Batman is a little better than usual. Not the art, but at least Azzarello writes two scenes. On the flip, this Kamandi strip is probably the weakest. Still good, but pointless.

Superman’s crap, Deadman’s pretty but slight, the Green Lantern is pointless. The Metamorpho, however, is weird in a good way. Crappy Teen Titans, but amusing–Berganza says Starfire is almost seven feet tall, Galloway draws her shorter than Robin. Great Adam Strange. Pope has really made the strip his own thing. Supergirl–with the Aquaman guest appearance–is weak again.

The Metal Men strip is still charming, but it’s starting to drag on. There’s a bunch of stuff in Wonder Woman but I’m not sure I understand it. Caldwell writes a great Etta.

Sgt. Rock is a little better, The Flash’s interesting again. Demon/Catwoman is lacking.

Baker rips off Jurassic Park but Hawkman’s still wonderful.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 6 (12 August 2009)

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Let’s get started. Batman–Risso’s artwork is weak. It’s loose when it needs to be strong and vice versa. Fun Kamandi but Gibbons isn’t giving Sook enough room for the content. Superman’s the opposite. Too much room, too little content. Deadman’s mediocre, probably its worst strip (it’s a wee trite).

Green Lantern’s continuing to sink too. Busiek’s Hal is an unlikable narrator. Gaiman and Allred cheat on Metamorpho–half the page is a board game. It’s cute, but clearly there’s not much story.

Oh, Berganza’s Teen Titans. He gives Blue Beetle the internal monologue of the Taco Bell chihuahua. It’s offensive in addition to awful.

The Adam Strange is amazing. Bringing him back to Earth, Pope finds a great twist. The Supergirl’s weak (relying on Aquaman jokes). Metal Men’s good, Wonder Woman’s half-amazing, half-incomprehensible. Weak Rock, okay Flash, weak Demon, great Hawkman… Baker’s artwork is absolutely phenomenal here.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 5 (5 August 2009)

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Lame Batman, good Kamandi (Sook does a good Planet of the Apes), lame Superman (though Bermejo’s a little better), okay Deadman (one of the book’s steadiest strips), lame Green Lantern (after always being mediocre before)….

I’m trying something different since these comics usually provide so little to really talk about.

Metamorpho’s a little better, Teen Titans is a little worse. Great Adam Strange, just featuring Alanna. Pope gives her a nice strip to herself. And Supergirl’s turning into one of the better strips in the series overall. Palmiotti’s tone for it is perfect and Conner’s art is engaging. Another good Metal Men, another interesting and confusing Wonder Woman, another crappy Sgt. Rock. I wonder if Joe Kubert just wasn’t willing to draw very much.

The Flash is fine, ice art from Kerschl. The Demon and Catwoman is completely passable. Hawkman recovers too, great action page.

The quality’s plateaued.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 4 (29 July 2009)

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Baker gets awkwardly jokey on the Hawkman, which is otherwise all right. He’s got a great looking space battle involving the JLA satellite.

Speaking of art, Bermejo’s Superman is particularly awful this issue. He’s apparently incapable of drawing Ma Kent. He draws her for three or four panels, each worse than the last.

Metamorpho makes a slight recovery; at least Gaiman’s got actual panels and something of a narrative. It’s all a tease, but it’s better than it has been.

The most reliable strips are Pope’s Adam Strange, Bullock and Heuck’s Deadman (it’s never great, but always decent), Gibbons and Sook’s Kamandi and some others. Metal Men, by Didio and Garcia-Lopez, continues to impress. Didio really does fit in some good character dialogue, even with all the action.

Berganza and Galloway’s Teen Titans actually manages to be worse, which seems unimaginable.

The issue’s quality’s up. The strips are stabilizing.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 3 (22 July 2009)

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This issue has even less good strips than before. Sgt. Rock in particular falls off, with Joe Kubert’s art getting way too loose. Gaiman and Allred’s Metamorpho doesn’t recover either.

In other words, at issue three, Wednesday Comics is already downhill.

Azzarello and Risso’s Batman manages to be worse, as does Arcudi and Bermejo’s Superman. Kamadi by Gibbons and Sook, however, is awesome. It’s perfect as a comic strip.

Nice Adam Strange by Pope, nice Metal Men by Didio and Garcia-Lopez. Jimmy Palmiotti and Amanda Conner’s Supergirl is rather cute; being well-intentioned and competent compensates for its lack of ambition.

Sadly, Kerschl and Fletcher’s Flash falters. They concentrate on a dramatic cliffhanger instead of an amusing one.

Kyle Baker quizzically turns his Hawkman into an “aliens were behind 9/11” thing. I hope that theme doesn’t stick.

The issue’s tiresome. The standouts don’t make up for the failures.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorists, Jose Villarrubia and Lovern Kindzierski. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 2 (15 July 2009)

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So even some of the better ones from the previous issue are losers this week. Specifically Neil Gaiman and Mike Allred’s Metamorpho. They flop on the format.

Still strong are Pope’s Adam Strange, Baker’s Hawkman, Dan Didio and Jose Luís Garcia-Lopez’s Metal Men (no, really) and Catwoman by Walt Simonson and Brian Stelfreeze. Oh, and Kamandi by Dave Gibbons and Ryan Sook. The biggest surprise has got to be The Flash from Brendan Fletcher and Karl Kerschl. They split it between Iris and Barry and have a very unexpected, but fun, twist.

Deadman, from Vinton Heuck and Dave Bullock, is another nice one.

The lousy ones remain lousy (or worse). Azzarello and Risso’s Batman stinks; Risso’s art wastes the large size. Arcudi and Bermejo’s Superman is probably worse, just because it’s so poorly written. Berganza and Galloway’s Teen Titans has to be the worst one overall.

Another mixed bag.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Wednesday Comics 1 (8 July 2009)

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Wednesday Comics really needs a stronger editorial hand. While some of the creators get the concept, others completely fumble it. The successes (and the mediocrities) make up for the bad patches.

In the “no idea how to do the format” section, the issue has Brian Azzarello and Eduardo Risso on Batman, John Arcudi and Lee Bermejo on Superman (thumbs down to Bermejo’s interpretation too), Eddie Berganza and Sean Galloway on Teen Titans (Galloway’s art is atrocious) and the Kuberts on Sgt. Rock. At least the art’s good on Rock from Joe.

The best entries are–no shock–Paul Pope and Kyle Baker’s. Pope does Adam Strange, Baker Hawkman. They both gleefully approach the newspaper sized medium, pacing their entries differently–though most of the better stories don’t spend this page setting up a plot. The worst ones do.

The issue’s interesting, but barely half successful. There are some real stinkers.

CREDITS

Batman; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Patricia Mulvihill; letterer, Clem Robins. Kamandi; writer, Dave Gibbons; artist, Ryan Sook. Superman; writer, John Arcudi; artist, Lee Bermejo; colorist, Barbara Ciardo; letterer, Ken Lopez. Deadman; writers, Vinton Heuck and Dave Bullock; artist, Bullock; colorist, Dave Stewart; letterer, Jared Fletcher. Green Lantern; writer, Kurt Busiek; artist and colorist, Joe Quinones; letterer, Pat Brosseau. Metamorpho; writer, Neil Gaiman; artist, Mike Allred; colorist, Laura Allred; letterer, Nate Piekos. Teen Titans; writer, Eddie Berganza; artist and colorist, Sean Galloway; letterer, Nick J. Napolitano. Adam Strange; writer, artist and letterer, Paul Pope; colorist, Jose Villarrubia. Supergirl; writer, Jimmy Palmiotti; artist, Amanda Conner; colorist, Paul Mounts; letterer, John J. Hill. Metal Men; writer, Dan DiDio; penciller, Jose Luís Garcia-Lopez; inker, Kevin Nowlan; colorist, Mulvihill; letterer, Lopez. Wonder Woman; writer, artist, colorist and letterer, Ben Caldwell. Sgt. Rock; writer, Adam Kubert; artist, colorist and letterer, Joe Kubert. The Flash; writers, Brendan Fletcher and Karl Kerschl; artist, Kerschl; colorist, Dave McCaig; letterer, Rob Leigh. The Demon and Catwoman; writer, Walt Simonson; artist and colorist, Brian Stelfreeze; letterer, Steve Wands. Hawkman; writer, artist, colorist and letterer, Kyle Baker. Editors, Chris Conroy and Mark Chiarello; publisher, DC Comics.

Rocketeer Adventures 1 (May 2011)

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I’m going out of order because Kurt Busiek, in eight pages, made me tear up. He does a Rocketeer during WWII story; Cliff’s in the Pacific as a flyer and as the Rocketeer. Cliff writes Betty letters, we get summaries. It’s freaking amazing work. Great art from Michael Kaluta. The Rocketeer details are inconsequential; they just makes it more touching. It’s the third story, easily the best.

The first story, from John Cassaday, comes in second. Cassaday doesn’t draw a good Cliff, but his Betty’s all right and his Rocketeer helmet’s good. The story also works. Cassaday gets how to mix in the relationship humor. There’s a fantastic, filmic action sequence here too.

The issue’s loser is Mike Allred’s middle story. It’s a side sequel to New York Adventure (I think). Allred’s art is good, but his dialogue and character work are both terrible

Two out of three ain’t bad.

CREDITS

The Rocketeer; writer and artist, John Cassaday; colorist, Laura Martin; letterer, Chris Mowry. Home Again; writer, artist and letterer, Mike Allred; colorist, Laura Allred. Dear Betty…; writer, Kurt Busiek; artist, Michael Kaluta; colorist, Dave Stewart; letterer, Mowry. Editor, Scott Dunbier; publisher, IDW Publishing.

Marvels: Eye of the Camera 6 (April 2010)

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Okay, so Busiek doesn’t pull it off, not saving the whole series, not even saving the whole issue, but when he has the chance to be a right cheap bastard and have the mutant girl be a hallucination of a dying cancer patient… he doesn’t do it. He doesn’t do the M. Night Shyamalan ending. He does the work instead.

The ending doesn’t work–we never find out the title of the new book the protagonist was working on and there’s this whole emphasis on his concern for mutant rights–which started an issue ago, certainly not through the whole series–but most of the issue does.

Marvels: Eye of the Camera is a piece of shit. The only issue worth a cent, much less three hundred and ninety-nine of them, is this last one. It could have been a one shot. Would have been better as one too.

CREDITS

Closing the Book; writers, Kurt Busiek and Roger Stern; artist, Jay Anacleto; colorist, Brian Haberlin; letterers, Richard Starkings and Comicraft; editors, Lauren Sankovitch and Tom Brevoort; publisher, Marvel Comics.

Marvels: Eye of the Camera 5 (June 2009)

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If Marvels II is really all about the protagonist dying, shouldn’t they have made the issues match the Kübler-Ross model–the five stages of grief–you know, from that “Simpsons” episode with the blowfish. Just an idea.

I’m not sure when this issue takes place. Sometime in the late 1980s at least. The protagonist has been dying for six months or something, so this history of the Marvel Universe is rather abbreviated. It’s idiotic, really. I mean, if the point of Marvels was to age things real time, based on publication date, look at this nonsense. Whatever.

This issue ends with a thread from the first series returning. It’s an interesting, cheaper than cheaper idea. I mean, if Busiek really resolves the story of the runaway mutant girl… it means the first series really was all bullshit to him.

I think I dislike this comic book more each issue.

CREDITS

A Whole Lot of Paper; writers, Kurt Busiek and Roger Stern; artist, Jay Anacleto; colorist, Brian Haberlin; letterers, Richard Starkings and Comicraft; editors, Jeanine Schaefer and Tom Brevoort; publisher, Marvel Comics.

Marvels: Eye of the Camera 4 (April 2009)

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Ok, so Secret Wars took place in the seventies? I mean, based on the style of the protagonist’s new boss, at least. She’s wearing clothes straight out of “Mary Tyler Moore.” It’s fine, of course, if it does take place in the seventies in Marvels, but maybe mention it, guys. Maybe mention the year. Maybe tie in some events. Or at least get things right when it comes to costumes, if you aren’t going to mention years.

As I understand it, Alex Ross brought Marvels to Marvel and Busiek came onboard it. So letting Busiek run Marvels II seems a little odd. There’s absolutely no passion to the series, but there’s not even any interest in it. There’s a lot of random events, not particularly memorable ones either, taking place over a dozen years in this issue.

It’s not disastrous, but it’s a waste of time and money. Mine, specifically.

CREDITS

Deep Wounds; writers, Kurt Busiek and Roger Stern; artist, Jay Anacleto; colorist, Brian Haberlin; letterers, Richard Starkings and Comicraft; editors, Jeanine Schaefer and Tom Brevoort; publisher, Marvel Comics.

Marvels: Eye of the Camera 3 (March 2009)

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Does Busiek have a point this time? This entire series seems pointless. It’s Anacleto, finally, drawing superheroes–not a lot of them, but some of them–and they look good and the comic looks good overall, but Busiek isn’t doing anything here. There’s nothing… pressing about this comic book. It’s completely by the numbers.

It’s so unspectacular, I don’t even remember what happened this issue. It ends with Spider-Man not trying to save the Hitman. It apparently takes place in the seventies, since the Punisher has just shown up, but there’s no seventies texture to it. Apparently, setting Marvels in a point in history is over now. It’s just the same as every other Marvel comic. Stuff happened a while ago. An indeterminate while ago. Like when Doctor Doom says many months ten years after an event. Sure, it’s many months….

Oh, man, this was four bucks an issue?

CREDITS

Shadows Within; writers, Kurt Busiek and Roger Stern; artist, Jay Anacleto; colorist, Brian Haberlin; letterers, Richard Starkings and Comicraft; editors, Jeanine Schaefer and Tom Brevoort; publisher, Marvel Comics.

Marvels: Eye of the Camera 2 (February 2009)

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The second issue is better than the first… but it’s still got a bunch of problems. It’s more of a sequel to the original series than the first issue, which makes the first issue even more questionable, but it also… it’s a….

So, the protagonist has this book about all the heroes and it’s called Marvels and it’s a big best seller. So now he doesn’t know what to do next and he decides instead of doing a book about villains or something, he’s going to do a book to show everyone the superheroes are true heroes.

Something he basically already did and they talk about him doing a lot in this issue.

It’s mind bogglingly illogical.

I must be missing something. Like a CliffsNotes to it or an online reading guide.

Anacleto’s still boring. Maybe the lack of superheroes in the superhero comic has something to do with it.

CREDITS

Making Sense of the World; writer, Kurt Busiek; artist, Jay Anacleto; colorist, Brian Haberlin; letterers, Richard Starkings and Comicraft; editors, Jeanine Schaefer and Tom Brevoort; publisher, Marvel Comics.

Marvels: Eye of the Camera 1 (February 2009)

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I’m a little confused. Marvels is, itself, somewhat out of continuity–the Fantastic Four didn’t really get their start in the sixties in current Marvel continuity. So, Marvels: Eye of the Camera is–or should be–out of continuity too, right?

Because Busiek wastes the entire first issue ret-conning Marvels.

It’s not even clear until the last five pages it’s about the same Phil Sheldon (Busiek introduces his Judaism big time in this issue, which wasn’t even a minor part of the original series). The narration’s all different, sounds like a totally different character. Busiek obviously wasn’t trying to recapture the voice. Instead, he went with a burn out.

Anacleto’s art’s okay. It doesn’t do what Ross’s art did on the original Marvels, which was realize comic book characters in a realistic way. Anacleto’s art is careful, pretty and stylized–not particularly special.

It’s off to an awful start.

CREDITS

Just One Little Thing; writer, Kurt Busiek; artist, Jay Anacleto; colorist, Brian Haberlin; letterers, Richard Starkings and Comicraft; editors, Jeanine Schaefer and Tom Brevoort; publisher, Marvel Comics.

Marvels 4 (April 1994)

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Marvels, quite simply, can’t live up to the potential of the first issue. The present action is about thirty years. Thirty years, four issues. It’s not going to be a solid narrative. Busiek has a couple opportunities to tie the first and fourth issue and doesn’t. It would have worked better without the same narrator throughout.

This issue does have the Gwen Stacy stuff, though, and it’s incredible. Busiek and Ross cast her as an angel in Marvel Universe and it works. It does work. Maybe it’s a little cheap–it’s not like no one but Gwen Stacy could appreciate these things, but there’s just something so … affecting about using her. It’s unfortunate the book has to contrive a relationship between her and the narrator for it to work.

Marvels is a wee self-important and a wee overbearing. It’s like no one ever realized what worked best.

Too bad.

CREDITS

The Day She Died; writer, Kurt Busiek; artist and colorist, Alex Ross; letterers, Richard Starkings, John Gaushell and Comicraft; editors, Spencer Lamm and Marcus McLaurin; publisher, Marvel Comics.

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