Princess Leia 1 (May 2015)

Princess Leia #1

You know, I almost like Princess Leia. Oh, the Terry Dodson and Rachel Dodson art is lame cheesecake–though they draw Chewbacca well enough–and Mark Waid’s script isn’t lame cheesecake. Waid’s doing this whole “young Princess Leia” comes into her own thing, really playing into the original Star Wars idea of her being young.

Waid’s dialogue makes Leia feel like a good “Disney Princess” Leia; not so much believable Carrie Fisher would be speaking the lines, which are far too modern and not seventies (or Lucas) enough. And it raises an interesting question about this new Star Wars line of comics.

As these first Disney Star Wars titles start, serving as direct sequel to the original seventies film, with the new film with that cast imminent, can these characters be bigger than their actors?

No. No, they can not.

Leia is still okay. Waid’s engaged, even though Dodson isn’t.

CREDITS

Writer, Mark Waid; penciller, Terry Dodson; inker, Rachel Dodson; colorist, Jordie Bellaire; letterer, Joe Caramagna; editors, Charles Beacham and Jordan D. White; publisher, Marvel Comics.

Advertisements

Daredevil 3 (July 2014)

Daredevil #3

It’s so bland. Why am I reading it? It’s so bland. Even the ending is bland. It’s sort of an all-ages Daredevil comic written for adults. And Samnee is the perfect artist for that tone. But it doesn’t have to be so bland–Waid doesn’t have anything going under the surface here. Foggy popping in from witness protection is just Foggy being so darned lovable again.

Even the Owl–after all this foreshadowing about his appearance, there’s zero pay-off. Maybe Waid is pacing it out for next issue, like he transforms or something, but the damage is already done. There’s already been a boring showdown with the Owl. Who cares if he Larry Talbots?

Once again, the only thing special about Daredevil is the Samnee art. It’s beautiful stuff–I wish there had been more exterior scenes–but it’s just not enough to keep the comic going.

Waid’s Daredevil’s like eating stale junk food.

B- 

CREDITS

Writer, Mark Waid; artist, Chris Samnee; colorist, Javier Rodriguez; letterer, Joe Caramagna; editor, Ellie Pyle; publisher, Marvel Comics.

Daredevil 2 (June 2014)

Daredevil #2

Really, it’s necessary to do a Batman wink? It’s not necessary. It’s pointless given neither Waid nor Samnee are identified with Batman. So maybe it’s a DC jab. Eh, who cares.

Daredevil is fine. Waid writes a good Matt Murdock, though I suppose I question his friends. The girlfriend remains unestablished and the idea of Daredevil as the official superhero of San Francisco seems odd. Waid and Samnee aren’t going for high concept or realism, so bringing in both those elements makes for an awkward read.

Waid tries too hard. He doesn’t need to sell the concept. Between his Matt characterization and Samnee’s art, Daredevil is an entertaining read. It doesn’t try hard as far as the plot, so why try on the new ground situation. It’s digestible. Better to be digestible than not.

Samnee gets to do a variety of different scenes. The fight’s cool, but so’s the comedy.

B 

CREDITS

Writer, Mark Waid; artist, Chris Samnee; colorist, Javier Rodriguez; letterer, Joe Caramagna; editor, Ellie Pyle; publisher, Marvel Comics.

Daredevil 1.50 (June 2014)

Daredevil #1.50

I'm really glad Mark Waid cares so much about Daredevil to craft the comic, and Matt Murdock, such a sweet story for the fiftieth anniversary of the character. It's a nice story. It's also completely pointless.

Waid tells a future story with Matt Murdock as former mayor of San Francisco (or something) and gives him a crisis to resolve–some mystery villain has made most of the city blind, including little Jack Murdock. Mom is a mystery but Foggy's around. He's probably supposed to be fifty too. He looks like a thirty year-old.

The story is slight and saccharine. Javier Rodriguez and Alvaro Lopez's art's decent, never anything more.

Then, to amplify the self-indulgence, Brian Michael Bendis does a text piece with Alex Maleev art. Comic book text pieces are real bad. Every time.

Finally, Karl Kesel and Tom Palmer do something goofy. It's bad, but they appear to enjoy themselves.

C 

CREDITS

The King in Red; writer, Mark Waid; penciller and colorist, Javier Rodriguez; inker, Alvaro Lopez. My name is Stana Morgan…; writer, Brian Michael Bendis; artist, Alex Maleev; colorist, Matt Hollingsworth. The Last Will and Testament of Mike Murdock; writer and penciller, Karl Kesel; inker, Tom Palmer; colorist, Grace Allison. Letterer, Joe Caramagna, editor, Ellie Pyle; publisher, Marvel Comics.

Daredevil 1 (March 2014)

Daredevil #1

Daredevil is a lot of fun. Most of the issue is a chase scene through San Francisco. Chris Samnee composes his panels close to the action, not in long shots, so there aren’t big landmark double pages. Instead, he infers the setting around Matt. It’s a rather cool approach.

Also important is the daytime setting; this comic is exciting, not downbeat, even when Mark Waid’s putting a little kid in danger. Waid knows exactly how to get the best result from the story, whether it’s in Daredevil showing off his powers of observation, how he paces the kid in danger, everything.

It’s very well-done superhero comics.

There’s also absolutely nothing compelling about it except Samnee’s art. And the art’s enough reason to read the book. Waid does an okay job, but the art’s where Daredevil is different.

If it were just the writing, there wouldn’t be a reason to return.

B 

CREDITS

Writer, Mark Waid; artist, Chris Samnee; colorist, Javier Rodriguez; letterer, Joe Caramagna; editor, Ellie Pyle; publisher, Marvel Comics.

The Rocketeer/The Spirit 4 (December 2013)

Idw publishing rocketeer spirit pulp friction issue 4

And there’s a nice happy ending with no resolution to any of the lame character subplots Waid brought into the series to try and give it some semblance of a story.

But apparently all Cliff needs is a Zorro mask when he’s not in flight and life’s much easier for the Rocketeer. That idea (from the Spirit) comes during an odd heart to heart the characters have. Waid just can’t figure out how to do this series and someone at IDW should have noticed long before it got to series.

There’s also the issue with Bone, who does a fine job in some ways, but just doesn’t have any interesting ideas for juxtaposing two very different visual characters and art styles. It’s The Rocketeer in something like a Spirit style, without anything going to the other way.

It almost feels like Waid’s trying to introduce the properties to younger readers.

D 

CREDITS

Pulp Friction, Part Four; writer, Mark Waid; artist, J. Bone; colorist, Rom Fajardo; letterer, Tom B. Long; editor, Scott Dunbier; publisher, IDW Publishing.

The Rocketeer/The Spirit 3 (November 2013)

1621742

So J. Bone takes over the art. Maybe the intention was always a different artist on each issue, but it doesn’t play particularly well. Bone does very nice homage to Eisner’s character design without being too literal.

The story’s a little weak though… definitely a little weak. Waid definitely likes the Spirit and his supporting cast, but he casts Cliff as a buffoon. Betty’s a strumpet and Cliff’s a buffoon. Until the big action sequence–the two heroes’ different fist fights juxtaposed against each other–the Rocketeer doesn’t show up. Waid’s just got Cliff running around like an ass.

It’s awkward and unpleasant. The crossover is ill-advised–the characters’ don’t sync–but Waid could have come up with something better than Cliff being a boob.

The issue reads fast and Bone has some decent moments. Otherwise, it’s getting even worse than I had expected. Waid’s dropping the ball here.

CREDITS

Pulp Friction, Part Three; writer, Mark Waid; artist, J. Bone; colorist, Rom Fajardo; letterer, Tom B. Long; editor, Scott Dunbier; publisher, IDW Publishing.

The Rocketeer/The Spirit 2 (August 2013)

287190 20131023140726 large

Waid continues full steam ahead with two characters who probably should have never crossed over. The result is more a Spirit comic guest starring the Rocketeer cast than anything else. Loston Wallace’s heavy on the Eisner influence for the character designs–except Betty to some degree–and, as a result, Cliff feels totally out of place.

Peevy and Dolan getting along like aged pranksters is a whole different problem.

But the comic also makes the Spirit feel way too literal. Waid’s got him fighting bad guys on biplanes, big crash sequences, on and on. It’s the Spirit in an action movie, with occasional Rocketeer moments–Waid tends to follow Cliff when he’s got the helmet off and the Spirit when Cliff’s suited up.

The comic’s also way too predictable. Given the properties in question, there’s nothing at risk here for the characters… and Waid should be going for constant amusement.

CREDITS

Pulp Friction, Part Two; writer, Mark Waid; penciller, Loston Wallace; inker, Bob Wiacek; colorist, Hi-Fi Colour Design; letterer, Tom B. Long; editors, Scott Dunbier and Chris Ryall; publisher, IDW Publishing.

The Rocketeer/The Spirit 1 (July 2013)

STK612636

Does Mark Waid always write Betty so awful? Not poorly awful, but awful to Cliff awful. It’s inexplicable why Cliff would hang around such a terrible human being… makes him a weak character too.

The Spirit and The Rocketeer aren’t exactly a good team-up, but Waid does find a decent connection for Peevy and Dolan–World War I–and the Paul Smith art at least looks really good. But a big airborne fight? Complete waste of time and pages.

Having Ellen appreciate Cliff isn’t a bad move, but unless Waid has them run off together… he’s never going to make up for his Betty characterization.

There’s some organized crime subplot too. It’s not particularly interesting. It’s also unclear how long Cliff’s been the Rocketeer or his current ground situation.

The Smith art has charm and Waid does okay with the Spirit cast, but it feels like a cash grab.

CREDITS

Pulp Friction, Part One; writer, Mark Waid; artist, Paul Smith; colorist, Jordie Bellaire; letterer, Tom B. Long; editors, Scott Dunbier and Chris Ryall; publisher, IDW Publishing.

Powered by WordPress.com.

Up ↑

%d bloggers like this: