The Unwritten 35.5 (May 2012)

Interesting, now Carey’s using the final .5 issue to set up something else forthcoming. He introduces the reader–for the first time–to a peon in the Cabal. The protagonist this issue, Danny, is a thoroughly underwhelming English major who ends up working in the big reading room for the Cabal. Lots of the big events in the series occur, giving the reader a sense of the time passing. There are a couple major bumps–it ties directly in to the story arc Carey finished the previous issue–and it’s a fine setup. It’s a little too much of a setup, but Carey does … Continue reading The Unwritten 35.5 (May 2012)

The Unwritten 35 (May 2012)

Maybe Tom seems like an action hero because of his outfit. He’s got suspenders for some reason, looking a little like Bullitt. It’s a Tom and Pullman issue. There’s some action, but there’s mostly just Pullman messing with Tom. Pullman–and Carey–promise some great revelation, but it’s unclear how much of it Pullman is just keeping to himself. The issue doesn’t exactly raise questions about Leviathan and the nature of the universe, but it doesn’t answer any either. There’s a big change–possibly two–for the series at the end (and maybe even some little ones throughout). Carey, Gross and Perker do such … Continue reading The Unwritten 35 (May 2012)

The Unwritten 34.5 (April 2012)

The issue reads a little like “Wilson Taylor: Year One.” Gross and Carey give him a decent origin story, set in the trenches of World War I. Carey concentrates on the soldiers’ experience, hitting all the effective standards, but making them tie into Unwritten. Actually, the questions he raises about stories, perceptions and reality during war are really interesting ones. He probably could get a decent limited series out of the concepts. Gary Erskine’s art is good. The battlefields are either obviously frightening or Erskine just infers it. There’s a lot of refocusing but Erskine makes Taylor distinct enough to … Continue reading The Unwritten 34.5 (April 2012)

The Unwritten 34 (April 2012)

Perker’s finishes over Gross lead to a somewhat different look for the book. Besides Tom looking more like an action movie star than a twenty-something, there are some weird panel transitions. It’s not bad art, it just doesn’t feel like Unwritten at times. It’s a combination of an action issue and a revelation one. The leader of the Cabal’s a good Bond villain who explains everything–multiple times–and there are a lot of explosions. Carey weaves in a surprise–cheating, since the characters know about it but the reader doesn’t, but it plays well. Tom’s maturing as a character, the exposition is … Continue reading The Unwritten 34 (April 2012)

The Unwritten 33.5 (March 2012)

This issue’s exceedingly good. These .5 issues really do give Carey the ability to show off his talent; even though they relate to the main series, they don’t rely upon it fully. This issue’s about a soldier stationed at a great estate in the eighteenth century. The story eventually ties into the regular Unwritten world, but for a while it’s just straight historical fiction. Carey shows the soldiers’ lives, he establishes their personalities, and then he lets his protagonist loose. And the protagonist gets himself into trouble. The resolution to the issue, which features the big tie-in, is great. Peter … Continue reading The Unwritten 33.5 (March 2012)

The Unwritten 33 (March 2012)

Something’s off about the art this issue. I can’t tell if it’s Gross or Perker, but something’s definitely off. Tom looks like a bland underwear model. This issue features Tom’s assault on the Cabal. Lizzie and Richie both tell him he’s going too fast, which is also advice for Carey. There’s quick montage of Tom invading the headquarters–as the Cabal prepares their counterattack (based on Pullman’s obtuse advice)–but it’s rushed. No one seems like they’re enjoying themselves, particularly not Carey. The issue gets some mileage out of Tom beating up the bad guys with magic–which Carey’s been hinting at for … Continue reading The Unwritten 33 (March 2012)

The Unwritten 32.5 (February 2012)

It’s more from the adventures of young Pullman. I was wondering if it would turn out to be him and it does. Not sure if it’s supposed to be a surprise–Dean Ormston, who “finishes” (which looks like all the art), doesn’t draw the traditional Pullman. He’s a lot dirtier here. Given the story takes place around 2500 BCE, the dirt is no surprise. Carey looses Pullman on poor Gilgamesh, who goes monster hunting on the villain’s suggestion. The issue makes certain aspects of the Unwritten mythology quite literal, which is neat. Ormston does a great job with monsters. Gilgamesh narrates … Continue reading The Unwritten 32.5 (February 2012)