Punks Not Dead: London Calling

No spoilers, but Punks Not Dead: London Calling is obviously the last Punks Not Dead for a while. It’s the second Punks Not Dead series and it’s excellent, but it’s clearly finite when you’re reading the early issues. It’s a wrap-up series. It’s not growing. Writer David Barnett and artist Martin Simmonds are tying off threads versus stretching them out.

So when the series manages not to feel reductive, it’s a feat. The mystery of lead Fergie’s dad, which is pretty much the A plot throughout, works out. Sure, Fergie’s sidekick, Sid, gets reduced to a supporting player but so does everyone. So does Fergie. Instead of the characters driving the narrative, the narrative acts as a VW bus and drives the cast to their next scenes.

Insert super-film snobby reference to Other Side of the Wind here, which no one will get unless you did.

Barnett’s got some solid set pieces and some great observations–particularly how disappointing punk turned out to be in terms of social change–and nice characterizations. Culpepper’s still great and she’s still around, she’s just not a force of nature like before. Her sidekick, young agent Baig… well, even though he’s ostensibly got an important role to play in events… he really does feel shoehorned in as the gay Muslim dude.

And it really feels like there’s at least a missing issue about the bonding between Fergie’s mom, Julie, and his crush, Natalie. Barnett’s in a hurry, after all; he’s got to resolve the cliffhanger stuff from the previous series while introducing and working to a series conclusion in this series. It’s a lot.

The sequel series to close-off the first series is an indie comic publication trope at this point (though it didn’t really happen at old school Vertigo, which is about the closest comparison to what Black Crown Press has managed to do–make an imprint of comics worth reading at least once; major props to Shelly Bond). Barnett and Simmonds do well enough in their wheelhouse; Simmonds does a lot of double-page spreads in the middle of the series and a lot less towards the end. He could’ve used some at the end, to the point I thought I was missing a page. Or two or three.

Maybe I was missing those pages… it would explain a lot, but I don’t think so. I think they were just rushed and had to wrap it up, which is a shame; Punks Not Dead introduced a fantastic cast and was primed for far more than just one sequel series.

Hopefully the band will get back together someday.

Advertisements

The Comics Fondle Podcast | Episode 48

It’s been five weeks, which makes sense since it’s not easy to find books! Even some mainstays have disappointed the last couple months… and, of course, some haven’t.

Floppies – The Weatherman, Punks Not Dead, Barbarella, Bloodstrike, Highest House, Ether: Copper Golems, Infinity 8 vol 2, Maestros, Jimmy’s Bastards, League of Extraordinary Gentlemen: The Tempest, Redneck, X-Men: Second Genesis, Seeds, Kaijumax Season Four.

Retro – Love and Rockets.

Trades – Complete Aleck Sinner Vol 2, Fourth World Omnibus, The Complete The Killer.

Mixed media – Luke Cage, CW, Titans.

you can also subscribe on iTunes…

Punks Not Dead #4 (May 2018)

Punks Not Dead #4

The best part of this issue–which isn’t the best issue of the series so far, but pretty close–is the plotting. There’s a lot of humor with the federal agent ghost hunters and Sid and Fergie have a good adventure, but it all works because of the plotting. Barnett opens with a cliffhanging teaser, then goes into flashback and catches up.

There’s a lot going on–Fergie seems to have caused some kind of flash mob of seniors who can’t stop dancing, the feds are there, Fergie’s mom is sad, Sid’s not really being as helpful as he could be. Barnett and Simmonds make Punks Not Dead funny, weird, and dangerous. The danger is real. Even if it’s just the truth–Culpepper, the hilarious fed ghost hunter, has some truth and threatens to tell it.

It might change how the book reads, particularly in regards to Sid, and Barnett is real careful about how he plots out the teases. The tease has to be intriguing, dangerous, and still possibly not so terrible you can’t like Sid. You don’t want any evil from Sid.

Because Punks Not Dead is still going for fun. It’s a fun comic. Just wants some edge.

Simmonds does great the entire issue until the end, when he doesn’t seem to have enough pages to do the finale action right so he just skips it. A necessary reaction shot is missing.

It’s not a big deal. Nowhere near as big a deal as the cliffhanger, which promises new dangers for Sid and Fergie in the issues ahead. Hopefully Barnett can pull it off too, because it’s a doozy of a trope.

CREDITS

Keep the Faith; writer, David Barnett; artist, Martin Simmonds; colorist, Dee Cunniffe; letterer, Aditya Bidikar; editor, Shelly Bond; publisher, IDW Publishing.

Punks Not Dead #3 (April 2018)

Punks Not Dead #3

It’s a quick issue, which is almost a relief since it’s only #3 and Punks Not Dead feels like a lot has happened. Here there’s the aftermath of something happening and the preparation for more to happen. A quintessential bridging issue.

With some great art. Simmonds has a great sense of movement, which isn’t easy with painted comics, even digitally painted. But Simmonds has got it. Punks moves smooth from panel to panel.

And some really scary crows. The crows are looking for Fergie. They seem to be eating souls on the way. Or they’re looking for Sid. It’s not clear yet. Similarly, it’s not clear what’s around the corner for Fergie and Sid. They seem about ready to encounter the government ghostbusters.

Writer Barnett amps up the comedy this issue. Danger is up (a lot), comedy is up (a bit). I’m just as curious for what happens to the protagonists next issue as I am to see how Barnett paces it. Has Punks moved into the second act of the eventual trade (as I now assume all Black Crown are headed to the eventual trade)? Or is it just a quick issue.

Either way, good comics.

CREDITS

Wide Awake in a Dream; writer, David Barnett; artist, Martin Simmonds; colorist, Dee Cunniffe; letterer, Aditya Bidikar; editor, Shelly Bond; publisher, IDW Publishing.

Punks Not Dead #2 (March 2018)

Punks Not Dead #2

So, yeah, Punks Not Dead #2 is smooth sailing. Barnett builds the characters, concentrating on Fergie’s daily life. School stuff, crush on the girl stuff, a little on the relationship with his mom. He and Sid try to figure out how their bond works, usually to comic effect. Barnett doesn’t play Sid for much but comic relief here, which is fine. It’s nice to have a little mystery.

Simultaneously, Barnett’s got Ms. Culpepper the government ghost hunter playfully tormenting her new hire while they’re on a mission.

It’s all set to Simmonds’s lovely art. There’s a static quality to the art–in a good way–where everything can sort of hang. Which is important since some of Fergie’s powers (he’s got supernatural powers of some kind now, maybe thanks to Sid, they don’t know) involves manipulating objects. Simmond’s panel composition is key; the way he paces scenes turns out to have less to do with actual space and depth and more to do with expressionist space and depth.

It’s a good looking book. And it just gets better as it goes.

Another Black Crown winner.

CREDITS

Teenage Kicks, Part Two: Turn It Up to Eleven; writer, David Barnett; artist, Martin Simmonds; colorist, Dee Cunniffe; letterer, Aditya Bidikar; editor, Shelly Bond; publisher, IDW Publishing.

Punks Not Dead #1 (February 2018)

Punks Not Dead #1

Punks Not Dead #1 opens with the protagonist–Fergie–introducing himself. And talking about he’s got a punk rocker ghost friend named Sid. Yes, Sid looks like that Sid but he’s not that Sid. He thinks he’s that Sid. It’s all writer David Barnett’s back matter.

Anyway.

The comic sets up the kid, Fergie; he and his mom are reality show actors. They’re at the airport, Fergie discovers he can see the ghost, Sid. Sid gets tethered to Fergie. A comic book will ensue.

But then there’s this government agency–British government, it’s U.K.–for paranormal investigation and there are demon imps and ghosts and whatever else. The supernatural is real. So maybe Sid the ghost isn’t just some figment of the imagination or even a real ghost friend.

And it’s cool. Both sides of the story work. The teenage stuff, the secret agency thing–there’s a new guy starting, working for the tough lady who’s run it for years. Barnett’s setup is outstanding.

And Martin Simmonds art accentuates both the teenage stuff as well as the supernatural. The supernatural elements–the way Simmonds visualizes them alongside the mundane–it’s outstanding.

Oh, right. The kid might be a wizard too. He’s got magic of his own.

Another good one from Black Crown.

CREDITS

Teenage Kicks, Part One: Don’t Let Them Take You Alive; writer, David Barnett; artist, Martin Simmonds; colorist, Dee Cunniffe; letterer, Aditya Bidikar; editor, Shelly Bond; publisher, IDW Publishing.

Powered by WordPress.com.

Up ↑

%d bloggers like this: